The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
[327] Cf. Tetens and Kubary in _Journal des Museum Godeffroy_, ii.
p. 16 (Yap); Kubary, _l.c._ viii. p. 133 (Pelew Islands: Gems and
bracelets as badges and class distinctions); Angas, _Polynesia_,
pp. 293, 297 (Tahiti: different ranks among the Areoi distinguished
by different tattooings); Schmeltz, _Ethnol. Abtheilung des Museum
Godeffroy_, pp. 182 _sq._, 259-261, 478 _sq._ (Fiji; Marquesas Islands;
Samoa: tattooings as connected with distinctions of rank). These facts
are, as Schmeltz remarks, in direct opposition to the statements of
Finsch in _Verhandlungen d. Berlin Anthropol. Gesellschaft_, 1879, p.
414.—Lütke does not himself think that the richness of tattoo patterns
on the Caroline Islands stands in any relation to the rank of the
tattooed individual; but he admits that some members of his expedition
had got such an impression, _Voyage_, i. pp. 359, 360. The belief of
the Fijians, to which so curious an analogy has been found among the
Eskimos (Lubbock, _Prehist. Times_, p. 565; Hall, _Arctic Researches_,
p. 570), that only tattooed people are entitled to happiness after
death may perhaps be connected with notions of an Elysium reserved for
individuals of a certain rank. Cf. also _Ymer_, iv. p. 317, on the
views of the Pelew islanders as to nose ornaments as a condition for
entering the realm of spirits, and Finsch, _Ethnol. Erfahrungen_, p.
316, quoting, with reservation, Kirby on a Gilbert’s Island paradise,
open only to the spirits of tattooed people. With regard to the African
tribes we are unable to adduce any unambiguous instances of scars as
denoting rank and status. See, however, Ellis, _Eẃe-speaking Peoples_,
p. 146.
[328] Wundt, _Ethik._ p. 152.
[329] Kubary, _Journal des Museum Godeffroy_, viii. p. 133 (Pelew and
Ponape Islanders).
[330] Spencer, _Principles of Sociology_, ii. pp. 75, 174 _sq._, 184
_sq._; Steinen, _Unter den Naturvölkern_, p. 179.
[331] With regard to the later developments of such triumphal signs
compare _e.g._ Wuttke, _Geschichte d. Schrift_, i. pp. 108 _sq._;
Wilken, _Nederlandsch-Indië_, pp. 36, 37; Joest, _Welt-Fahrten_, ii. p.
301 (Formosa); Burchell, _Travels_, ii. p. 535 (Bachapins).
[332] Schneider, _Die Naturvölker_, i. pp. 109, 110; Robley, _Moko_,
p. 46; Godden in _Journ. Anthr. Inst._ xxvi. p. 185 (Nagas); Man,
_Journ. Anthr. Inst._ xii. p. 35, thinks that the Andamanese tattooing
is executed “primarily as ornamental, and secondarily as proving the
courage of the individual and his (or her) power of enduring pain.”
[333] Schneider, _l.c._ i. p. 107.
[334] On tattooing as a pictography compare Wuttke, _Geschichte der
Schrift_, i. pp. 97-99, 102.
[335] Stolpe, _Tätowirung der Oster-Insulaner_, p. 8.
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