The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
[336] Cf. Sarasin, _Forschungen auf Ceylon_, iii. p. 511 (Magical
cords worn by the Veddas: the custom considered to be of Singhalese
origin); Man, _Journ. Anthr. Inst._ xii. p. 86 (Bone necklaces worn by
the Andamanese as a cure for sickness); _Ibid._ p. 170 (Superstitious
notions of the Andamanese with regard to tattooing); Stevens, “Wilde
Stämme Malâkas,” in _Veröff. d. Mus. Völkerkunde_, ii. p. 145 (Amulet
collars); Marshall, _Todas_, p. 49 (Rings and bracelets as charms);
Elliot, _Memoirs on the Races of the N. W. Provinces of India_, i.
p. 240 (Black “mouches” worn on the face for averting evil eye);
Bock, _Temples and Elephants_, p. 170 (Superstitious tattooings
among Burmese and Ngious); Smyth, _Victoria_, i. p. 112; and Taplin,
“The Narrinyeri,” in Woods, _Native Tribes_, p. 21 (Hair of deceased
worn around the head in order to make “the eyes large and the sight
keen”); Roth, _Tasmania_, p. 76 (Bones of deceased worn as amulets);
Kingsley, _Travels_, p. 448 (Charm-gems in W. Africa); Ellis, _W.
African Sketches_, p. 9 (Bodily painting as medical cure among Fantis),
pp. 191, 192 (Tattooing supposed to strengthen a child). For further
interesting instances see Wuttke, _Geschichte der Schrift_, i. p. 77;
cf. also the facts about laceration as medical cure collected on p. 67
in the preceding.
[337] Steinen, _Unter den Naturvölkern_, p. 184.
[338] _Ibid._ _l.c._ pp. 173, 186; cf. the assertions of Burton, _Lake
Regions_, ii. p. 63 (Wajiji Tribe: Tattooing explained as a protection
against the humid atmosphere); Roth, _Tasmania_, pp. 139-141.
[339] Lippert, _Kulturgeschichte_, i. pp. 18, 365, 366.
[340] Cf. Haddon, _Evolution in Art_, p. 203; Grosse, _Anfänge der
Kunst_, pp. 130-133.
[341] Robley, _Moko_, pp. 10-16. Cf., however, Shortland (_New
Zealand_, pp. 16, 17), who explains Moko as being only a “fashionable
mode of adornment,” and Dieffenbach (_New Zealand_, ii. p. 34), who
thinks that the use of Moko for signatures is a modern invention.
Tattooings which serve as individual marks of recognition are
mentioned by Heriot, _Travels through the Canadas_, p. 293; Fraser,
_Aborigines of New South Wales_, p. 45; Herr Koeler (_Monatsberichte
der Gesellschaft für Erdkunde_, iii. p. 51) thinks that the scars of
the Australians—“these genealogical indices”—may to some extent make up
for the want of proper names.
[342] With regard to marks of tribal distinction compare the facts
collected by Spencer, _Principles of Sociology_, ii. pp. 72-75; Frazer,
_Totemism_, pp. 26-30. Even those who do not believe in Mr. Frazer’s
assertion that the paintings, coiffures, tattooings, etc., aim at an
imitation of the totem animal, will be compelled to admit that they
often serve as means of distinguishing members of the same totem group.
Buckland, _Anthropological Studies_, pp. 224, 225, 231 (On tattooing);
Starcke, _The Primitive Family_, pp. 42, 62; Wuttke, _Geschichte der
Schrift_, i. pp. 80 _sq._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account