The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
The progress of functional inhibition from organ to organ and the
accompanying increase of the pain-emotion does of course generally
take place without the co-operation of volition. But the increase
of an incipient pain-sentiment can also be facilitated by voluntary
efforts. As Professor James remarks, we may effectively strengthen a
mood of sadness if we only consistently arrest the activity of all
the organs which are under the control of our will.[68] And it is
well known that much is possible in the way of working up feelings
of melancholy. It may seem somewhat strange that the cultivation of
such painful states has attained so high a development in man. But
the apparent paradox is solved if we direct our attention to the
secondary tones of pleasure which can always be derived from artificial
moods of suffering. Sentimental reflection is able to extract from
them a peculiar satisfaction which is highly appreciated by certain
temperaments. We need only refer to the literature of romanticism,
which gives us most instructive instances of pride in sensibility.
Another kind of enjoyment is attained when persons who consider
themselves unfairly treated by cruel fortune deliberately feed upon
their own sufferings. As Spencer has shrewdly pointed out, they will
infallibly derive a pleasurable sensation of their own value when
contrasting their fate with the happiness which they consider their
due.[69] Melancholy people, on the other hand, may perhaps be inclined
to make themselves as helpless and unfortunate as possible for the
sake of experiencing both sides of that “love of the helpless”[70]
which, according to Spencer, is the most primordial form of altruistic
feeling. The expressions and pantomimes of sadness often strike us as
a kind of self-caressing in which the sufferer, by division of his own
personality, enjoys the double pleasure of giving and receiving.
Public-domain text, read in full here on John Shaqi.
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