The Orpheus C. Kerr Papers, Series 2Newell, R. H. (Robert Henry)
History
The Orpheus C. Kerr Papers, Series 2
Newell, R. H. (Robert Henry)
United States -- History -- Civil War, 1861-1865 -- Fiction
MAKING MENTION OF ANOTHER MEETING OF THE COSMOPOLITAN CLUB, AT
WHICH THE TURKISH AND RUSSIAN MEMBERS READ THEIR STORIES 260
LETTER LXXIV.
CONCERNING THE SERIOUS MISTAKE OF THE VENERABLE GAMMON, THE
CHAPLAIN'S POETICAL DISCOVERY, THE PROMOTION OF COMMODORE HEAD,
AND THE RECEPTION OF THE PRESIDENT'S PROCLAMATION BY THE
SOUTHERN CONFEDERACY 299
LETTER LXXV.
SETTING FORTH THE FALSE AND TRUE ASPECTS OF BEAMING OLD AGE
RESPECTIVELY, AND SHOWING HOW THE UNBLUSHING CONFEDERACY MADE
ANOTHER RAID 310
LETTER LXXVI.
REFERRING TO THE MOSQUITO AS A TEST OF HUMAN NATURE, EXPLAINING THE
LONG HALT OF THE MACKEREL BRIGADE, AND NOTING THE COURT OF
INQUIRY ON CAPTAIN VILLIAM BROWN 320
LETTER LXXVII.
SHOWING WHAT EFFECT DEMOCRATIC TRIUMPHS HAVE UPON THE PRESIDENT,
NOTING OUR CORRESPONDENT'S STRANGE MISTAKE ABOUT A BRITISH
FLAG, AND INDICATING THE STRATEGIC ADVANCE OF THE MACKEREL
BRIGADE 328
LETTER LXXVIII.
IN WHICH THE STORY TOLD BY THE GERMAN MEMBER OF THE COSMOPOLITAN
CLUB IS DULY REPORTED 337
LETTER LXXIX.
SHOWING HOW THE NATIONAL INSANITARY COMMITTEE MADE A STRANGE
BLUNDER; HOW THE BELOVED GENERAL OF THE MACKEREL BRIGADE WAS
REMOVED AND EXALTED; AND ENDING WITH AN INFALLIBLE RECIPE 358
THE
ORPHEUS C. KERR PAPERS.
SECOND SERIES.
LETTER LIII.
NOTING THE LAMENTABLE INCONVENIENCES OF A "PRESS-CENSORSHIP," AND
PARTIALLY REVEALING THE CIRCUMSTANCES ATTENDANT ON A MARVELLOUS
STRATEGIC CHANGE OF BASE BY THE MACKEREL BRIGADE.
WASHINGTON, D. C., July 6, 1862.
When in the course of human events, my boy, it becomes necessary for a
chap of respectable parentage to write a full and graphic account of a
great battle, without exasperating the press-censor by naming the
locality of the conflict, nor giving the number of the troops engaged,
the officers commanding, the movements of the different regiments, the
nature of the ground, the time of day, or the result of the struggle;
when it becomes necessary for a chap of respectable parentage to do
this, my boy, that chap reminds me of a poor chap I once knew in the
Sixth Ward.
The poor chap took daguerreotype-likenesses in high style for low
prices, and one day, there came to his third-story Louvre a
good-looking young man, dressed in a high botanical vest-pattern and
six large-sized breast-pins, and says he to the picture chap,
confidentially:
Public-domain text, read in full here on John Shaqi.
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