The Orpheus C. Kerr Papers, Series 2Newell, R. H. (Robert Henry)
History
The Orpheus C. Kerr Papers, Series 2
Newell, R. H. (Robert Henry)
United States -- History -- Civil War, 1861-1865 -- Fiction
"There's a young woman living in Henry-street, which I love, and who
admires to see my manly shape; but her paternal father refuses to
receive me into the family on account of my low celery. Now," says the
breastpin-chap, knowingly, "I will give you just twenty-five dollars if
you'll go to that house and take the portrait of that young lady for
me, pretending that you have heard of her unearthly charms, and want
her picture, to add to the collection shortly to be sent to the Prince
of Wales."
Having witnessed the worst passions of his landlord that morning, my
boy, and received a telegraphic dispatch of immediate importance from
his tailor, the artist chap heard about the twenty-five dollar job with
a species of deep rapture, and undertook to do the job. He went to the
Henry-street palatial mansion with his smallest camera under his arm,
and when he got into the parlor he sent for the young lady. But she
didn't see it in that light, my boy, and she wouldn't come down. For a
moment the poor chap was in a fix; but he was there to take her
portrait, or perish in the attempt, and as he saw an oil-painting of
the young girl over the mantelpiece, he took that, and skedaddled. The
next day the breastpin-chap called at his Louvre again, and says to him:
"Have you taken Sary's portrait?"
"Yes," says the artist chap, "I took it."
"Where is it?" says the breastpin-chap with emotion.
"There it is," says the artist-chap, pointing to the oil-painting, with
a pleasing expression of countenance.
As high art is not appreciated in this country, my boy, a policeman
called at the Louvre that afternoon and removed the artist-chap to a
place which is so musical that all the windows have bars, and each man
carries a stave.
As my taste for music is not uncontrollable at present, my boy, and I
can't write a full account of a battle, without referring in some
degree to the struggle, which we are forbidden to mention, I shall not
be particular as to details.
I am permitted to say that I went down to Paris with my gothic steed
Pegasus on Monday last, and found the Mackerel Brigade coming back
across Duck Lake with the frantic intention of changing its base of
operations. The Conic Section, my boy, had been ordered to advance and
force the Southern Confederacy to compel it to retreat, and the
rapidity with which this was accomplished was a brilliant vindication
of the consummate strategy of the general of the Mackerel Brigade. I
found the general a few miles back of the scene of action issuing
orders--for the same, with a little more sugar, and says I:
"Well, my indefatigable Napoleon, have you changed your base
successfully?"
The general smiled like a complacent porpoise, and says he:
"We've reached our second base, my friend, being compelled to do so by
the treble force of the enemy."
Public-domain text, read in full here on John Shaqi.
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