The painted swan : $b a play in three acts — John Shaqi
The painted swan : $b a play in three actsBibesco, Elizabeth
General
The painted swan : $b a play in three acts
Bibesco, Elizabeth
English drama -- 20th century
SELINA: And Sir Henry Bootle will say to Ninian: “That’s a new
acquisition, isn’t it?” pointing to the oldest family portrait, and
Ninian will reply: “It has hung there for four hundred years.” And Ann
will be wretched. Then Lady Bootle will exclaim: “What a superb emerald,”
and Ninian will indicate that it was given to an ancestress by Catherine
the Great, and Ann will wish she hadn’t put it on.
LADY EMILY: And the vicar will say to me: “Quite a stranger, Lady Emily,”
which he always says, however often I come, and I will answer: “I had
meant to be down before,” and he will shake his finger playfully at me,
exclaiming: “A change of mind is the prerogative of the fair sex.” And at
that moment, God willing, dinner will be announced.
ANN: I think you are all very unkind, and as I am very tired I am going
to shoo you all away.
LORD WILLIAM (_grumbling_): You manage things so simply, Ann. When you
want people to come, you ask them to come, and when you want them to go,
you ask them to go.
LADY EMILY: Why can’t you let the poor child alone? She is tired.
MOLYNEUX: We can believe that she is tired, but we are incapable of
believing that we are not refreshing.
ANN: Of course you are refreshing. It is only that I am showing absolute
self-interest. I don’t want even the film of a headache to come between
us after dinner.
LADY EMILY: Molly can never believe that a woman is resting. He remembers
that in his youth it invariably meant that she was with someone else.
MOLYNEUX: I have always felt that instead of saying strong as an ox, one
should say strong as a woman.
SELINA: You haven’t read your Shakespeare. “Frailty, thy name is woman.”
MOLYNEUX: That had a moral, not a physical, significance, my dear. I am
not speaking of robust virtue.
[_They are talking themselves out of the room._
ANN: Aunt Emily—will you show Mabel her room?
LADY EMILY: Certainly, my love.
ANN (_calling to the door_): Half-past eight dinner, everybody.
TIM (_in an undertone_): Might I stay for a moment or two? I will be
quiet as a mouse.
ANN: Tim, dear.
TIM: Please don’t think that I am going to be tiresome. I do try to
keep my thoughts away from you when you don’t want them, but it is so
difficult.
ANN: My dear, I need all of the reinforcements that you can give
me—always.
TIM: You are so nice, dearest, that you count on my being a fool.
ANN: You’re teasing me.
TIM: I know you can’t need anything. It is horrible to have nasty
involuntary necessities nibbling things out of one’s wishes.
ANN: What wishes?
TIM: The wish to behave well.
ANN: I never want to behave well.
TIM: You’ve never had to.
ANN (_to herself_): Oh, my dear.
TIM: I always hope that there are going to be little things that I
can do for you. I don’t ask you to need things. I only long—quite
passionately—for you to want some thing.
ANN: It is so complicated—I need your love and I want you to be happy.
TIM: How deliciously simple that would be. You have my love and you make
me happy.
Public-domain text, read in full here on John Shaqi.
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