The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
In the wall now before us we have a model of a portion of the outer wall
of the Coliseum at Rome, pierced with arches and ornamented with Tuscan
columns. The Coliseum is one of the most wonderful structures in the
world, and the Pyramids of Egypt alone can be compared with it in point
of size. It is elliptical in form, and consisted outwardly of four
stories. In the centre of the interior was the _arena_ or scene of
action, around which the seats for spectators rose, tier above tier. The
enormous range was capable of seating 87,000 persons. Vespasian and
Titus erected this amphitheatre, and the work commenced about A.D. 79.
In this vast and splendidly decorated building, the ancient Romans
assembled to witness chariot-races, naval engagements, combats of wild
animals, and other exciting sports. A very beautiful and highly finished
model of the Coliseum restored will be found in the Court, which it will
be interesting to compare with the present state of the ruin as seen in
the model of the Roman Forum close by. A model also of the Pantheon will
be found here. These were all executed at Rome under the superintendence
of the late Dr. Emil Braun.
Entering the Roman Court through the central archway, we come into an
apartment whose walls are coloured in imitation of the porphyry,
malachite, and rare marbles with which the Roman people loved to adorn
their houses. This style of decoration appears to have been introduced a
little before the Christian era; and so lavish were the Romans in
supplying ornament for their homes, that the Emperor Augustus, dreading
the result of the extravagance, endeavoured by his personal moderation
to put a stop to the reckless expenditure: although it is recorded that
the lofty exemplar was set up for imitation in vain.
Public-domain text, read in full here on John Shaqi.
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