Do not let us abuse poor old Louis on account of this monstrous pride; but only lay it to the charge of the fools who believed and worshipped it. If, honest man, he believed himself to be almost a god, it was only because thousands of people had told him so—people only half liars, too; who did, in the depths of their slavish respect, admire the man almost as much as they said they did. If, when he appeared in his five-hundred-million coat, as he is said to have done, before the Siamese ambassadors, the courtiers began to shade their eyes and long for parasols, as if this Bourbonic sun was too hot for them; indeed, it is no wonder that he should believe that there was something dazzling about his person: he had half a million of eager testimonies to this idea. Who was to tell him the truth?—Only in the last years of his life did trembling courtiers dare whisper to him, after much circumlocution, that a certain battle had been fought at a place called Blenheim, and that Eugene and Marlborough had stopped his long career of triumphs. “On n’est plus heureux à notre âge,” says the old man, to one of his old generals, welcoming Tallard after his defeat; and he rewards him with honors, as if he had come from a victory. There is, if you will, something magnanimous in this welcome to his conquered general, this stout protest against Fate. Disaster succeeds disaster; armies after armies march out to meet fiery Eugene and that dogged, fatal Englishman, and disappear in the smoke of the enemies’ cannon. Even at Versailles you may almost hear it roaring at last; but when courtiers, who have forgotten their god, now talk of quitting this grand temple of his, old Louis plucks up heart and will never hear of surrender. All the gold and silver at Versailles he melts, to find bread for his armies: all the jewels on his five-hundred-million coat he pawns resolutely; and, bidding Villars go and make the last struggle but one, promises, if his general is defeated, to place himself at the head of his nobles, and die King of France. Indeed, after a man, for sixty years, has been performing the part of a hero, some of the real heroic stuff must have entered into his composition, whether he would or not. When the great Elliston was enacting the part of King George the Fourth, in the play of “The Coronation,” at Drury Lane, the galleries applauded very loudly his suavity and majestic demeanor, at which Elliston, inflamed by the popular loyalty (and by some fermented liquor in which, it is said, he was in the habit of indulging), burst into tears, and spreading out his arms, exclaimed: “Bless ye, bless ye, my people!” Don’t let us laugh at his Ellistonian majesty, nor at the people who clapped hands and yelled “bravo!” in praise of him. The tipsy old manager did really feel that he was a hero at that moment; and the people, wild with delight and attachment for a magnificent coat and breeches, surely were uttering the true sentiments of loyalty: