The Pastor: His Qualifications and DutiesHarvey, H. (Hezekiah)
Religion
The Pastor: His Qualifications and Duties
Harvey, H. (Hezekiah)
Pastoral theology
Here, then, I suggest: 1. The pastor should feel and should manifest a
hearty sympathy for the singers and an appreciation of their work; the
lack of this is a frequent cause of discouragement and disorganization
in choirs. He should consult with them in regard to the musical
interests of the congregation, should recognize their work as an
important service done to Christ and the church, should express, in
public and private, his appreciation of whatever is excellent in their
performances, and should use his pastoral influence to secure from the
congregation the necessary means for such books and instruments as may
be important to their success. A good choir, besides contributing the
results of long previous training, spend much time each week in
practice for the service of the Lord's Day, and no true pastor should
fail, or allow his congregation to fail, in an appropriate expression
of appreciation of the work thus done. Such a spirit in pastor and
people will seldom fail to secure a well-trained and enthusiastic choir
and will make the service of song a power and a blessing in public
worship. 2. In the selection of hymns special adaptation to the subject
of the sermon is important chiefly in the one which follows it; the
others, especially the first, while fittingly leading to the sermon,
should be adapted to the purposes of general worship. When the singing
is congregational, regard must be had to the tunes as well as to the
hymns; for in most congregations the range of tunes in which the people
can or will unite is comparatively narrow, and the best hymn will fail
with an impracticable tune. The pastor, therefore, should carefully
note the tunes which the congregation readily sing, and make his
selection within this range. A few months' observation, with careful
noting of results, will enable him to select wisely. 3. Singing in
public worship should be devotional. It is not a musical recreation nor
an artistic musical display, but an act of worship offered to the Most
High. The language of sacred song is often directly addressed to God in
praise, thanksgiving, and prayer; it is, therefore, of doubtful
propriety to call for singing, while a collection is taken up or
business is transacted, merely to occupy the time. Nor should the
preacher, during the singing, allow himself to be occupied in
conversation, or in the study of his sermon; rather he should, if
possible, himself participate devoutly with the congregation in this
act or worship, and thus by his example recognize the devotional nature
of the service.
III. READING OF THE SCRIPTURES.
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