The peasants, [vol. 1] : $b AutumnReymont, Władysław Stanisław
General
The peasants, [vol. 1] : $b Autumn
Reymont, Władysław Stanisław
Peasants -- Poland -- Fiction; Polish fiction -- Translations into English
They all formed up before the house and marched off on foot, for the
church was but one field away.
Then the bridesmen took possession of Yagna. She walked on with delight,
smiling through the tears which still trembled in her lashes. She now
was gay to see as a spring-blossoming bush, and riveted every eye. Her
hair, braided over her forehead, bore above it a rich pile of gold
spangles, and peacock’s eyes, and sprigs of rosemary. Therefrom, down to
her nape and shoulders, fell long ribbons of every hue; her white skirt
was gathered at the waist in abundant folds; her corsage, of sky-blue
velvet, was laced with silver; she wore great puffed sleeves to her
chemise. Round her throat there was an abundant frill, embroidered with
designs in dark-blue thread, and necklaces of coral and amber, row upon
row, hung covering half her bosom.
Matthias was being led by the bridesmaids.
As the stalwart oak may be seen rising behind the graceful pine in the
woods, so did he appear after Yagna’s figure. There was in his gait a
certain jaunty swing, and he shot glances on either side of the road: he
fancied he had beheld Antek in the ruck.
Following him came Dominikova, with the “proposers,” the smith and his
family, Yuzka, the miller’s and the organist’s people, and all the
persons of any note.
And following these came the whole village.
The sun was now hanging above the woods, red, enormous, flooding all the
road, and the pond, and the huts, with its blood-red glow.
In the midst of this crimson conflagration they walked on slowly. It
made the eyes blink to see them as they went—with ribbons and peacock
plumes and flowers; gay in red trousers, petticoats of orange tints,
rainbow kerchiefs, snowy capotes: just as if a whole field full of
flowers in bloom had arisen and moved forward, swaying in the wind!
Aye, and singing too! For again and again the high treble of the
bridesmaids’ voices would strike up the ditty:
On the clattering wagons go,
And my heart is full of woe,
Alas!
Round you while our songs rise glad,
You, O Yagna, you are sad,
Alas!
All the way, Dominikova was in tears, her eyes fixed upon Yagna alone.
Ambrose was already lighting the tapers in church when they came.
They formed in ranks—two and two—and proceeded toward the high altar,
just as the priest was coming out of the sacristy.
The wedding was soon over: his Reverence had to visit a sick man in
haste. When they left the church, the organist played them out with
Mazurs, Obertases, and Kuyavy dances, till their feet beat time of
themselves; and more than one was on the point of singing aloud, but
luckily remembered where he was.
They returned pell-mell, and very noisily, for bridesmen and bridesmaids
were singing together.
Public-domain text, read in full here on John Shaqi.
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