The peasants, [vol. 4] : $b SummerReymont, Władysław Stanisław
General
The peasants, [vol. 4] : $b Summer
Reymont, Władysław Stanisław
Peasants -- Poland -- Fiction; Polish fiction -- Translations into English
A votive Requiem Mass was celebrated by the parish priest, who
afterwards, in company with his Reverence of Slupia, and the organist,
seated in pews on either side of the sanctuary, chanted the _Officium
Defunctorum_ in Latin. High on a catafalque lay Boryna, amid a grove of
burning tapers. Around him the whole village knelt humbly, praying and
giving ear to the long-drawn, melancholy dirge, that now sounded like a
cry of terror, making their flesh creep and wringing their hearts; now
gave out subdued murmuring syllables, low thrilling moans, that caused
the tears to start unwilled; and now again would soar on high in
unearthly rapture, like the hymns of angels in everlasting bliss; and
the hearers would wipe away their tears, or burst into uncontrollable
fits of weeping.
This lasted a full hour. At last Ambrose took the tapers out of their
sockets to distribute them amongst the congregation; and the priest,
having prayed before the body, gone round it, swinging his silver
thurible until all the air around was blue with incense-smoke, and
sprinkled it with holy water, walked forward to the door, the cross
preceding him.
Then was there within the church a confused din of cries and wailing and
sobbing, as several husbandmen of the highest standing, shouldering the
coffin, bore it to the cart outside, the basketwork of which was crammed
with straw. Yagustynka (furtively, lest the priests should see and
prevent this superstitious act) thrust under it a big loaf, wrapped up
in clean linen.
The dismal knell burst forth, the black banners were raised and the
lights flared and flickered. Staho having lifted the cross, the two
priests intoned:
“_Miserere mei, Deus_....”
The dread strains, the chant of death—the dirge of infinite sorrow—began
to sob forth, and they wended their way towards the burying-ground.
In front of the procession, the black flag bearing the skull and
crossbones, fluttered like a bird of horror: following in its wake came
the silver cross, a long line of taper-bearers, and the priests, arrayed
in black copes.
Then appeared the coffin, high in view, and the loudly lamenting
mourners, and all the village in the rear, walking in sad dreary
silence. Even the sick and the crippled had come.
The grey clouds hung low in the sky, almost resting on the tops of the
poplars, and motionless, as if intent on the chants that were sung. When
a breeze arose, the trees shed their tears over the coffin, while the
corn in the fields bent low as though to salute their master, leaving
them for ever.
Floating through the air with the voices of the groaning bells, the
dirge rolled a stillness as of death on the hearts of the listeners;
while the mourners wailed, and the banners flapped, and the cart-wheels
creaked—and the lark sang, far away in the fields.
And once again the _Miserere_ resounded, with a magical effect on the
feelings of those present.
Public-domain text, read in full here on John Shaqi.
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