To the far left stands an important image: the scourged Jesus (Figure 38) prominent in _penitente_ activity as "Our Father Jesus the Nazarene" (_Nuestro Padre Jesus Nazareno_). By 1918, Alice Corbin Henderson[66] reports, this same figure appeared in _penitente_ Holy Week processions at Abiquiú. She claims it was made originally for the Mission of Santo Tomás. E. Boyd points out stylistic traits shared by this Abiquiú _bulto_ and the _retablo_ figures in the San José de Chama Chapel at nearby Hernández, which was the work of _santero_ Rafael Aragon, active from 1829 to after 1855.[67] Symbolic of man's physical suffering, the image of the _Jesus Nazareno_ is essential to _penitente_ enactments of the Passion. [Illustration: FIGURE 38. MAN OF SORROWS (_Ecce Homo, Nuestro Padre Jesus Nazareno_). SIZE: 1.60 meters high. DATE: Second quarter of 19th century. ORIGIN: New Mexico, Rafael Aragon, active 1829-55. LOCATION: East _morada_, to left of altar. MANUFACTURE: Dressed in red fabric gown, palm clusters and rosaries, leather crown of thorns, horsehair wig, bright border painted on platform.] On the left side of the east _morada_ altar, two carved images represent the grieving mother of Jesus as "Our Lady of Sorrows" (_Nuestra Señora de los Dolores_), one image (Figure 39) in pink equipped with her attribute, a dagger; the other (Figure 40), like many processional figures, has been constructed by draping a pyramidal frame of four sticks with gesso-dipped cloth, which, when dry, is painted to represent a skirt. The apron-like design that appears on the skirt, now hidden under a black dress, indicates that the original identity probably was "Our Lady of Solitude" (_Nuestra Señora de la Soledad_).[68] [Illustration: FIGURE 39. OUR LADY OF SORROWS (_Nuestra Señora de los Dolores_). SIZE: 99.1 centimeters base to crown. DATE: Early 20th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: East _morada_, left side of altar. MANUFACTURE: Carved wood, gessoed and painted; dressed in pink cotton gown and veil; tin crown and metal dagger; artificial flowers, rosaries.] [Illustration: FIGURE 40. OUR LADY OF SORROWS OR SOLITUDE (_Nuestra Señora de los Dolores_ or _la Soledad_). SIZE: 81.3 centimeters base to crown. DATE: Second half of 19th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: East _morada_, left side of altar. MANUFACTURE: Carved wood head and hands, gessoed, painted, and repainted; body of gesso-wetted cloth, draped on stick frame to dry, painted; dressed in black satin habit with white lace border; tin halo, rosary, artificial flowers.]