Also on the left side of the east _morada_ altar, there are two male saints (_santos_) who fill vital roles in the _penitente_ Easter drama. One, St. Peter (San Pedro) with the cock (Figure 41), is a _bulto_ whose frame construction duplicates that of Our Lady (Figure 40). The cock apparently was made by another hand, and, despite its replaced tail, is a fine expression of local art. This group represents Peter's triple denial of Jesus before the cock announced dawn of the day of the Crucifixion. The _bulto_ of San Pedro has special meaning for _penitentes_ who, through their penance, bear witness to "Jesus the Nazarene." [Illustration: FIGURE 41. SAINT PETER AND COCK (_San Pedro_ and _Gallo_). SIZE: 61 centimeters high. DATE: First quarter of 19th century, and 19th century cock. ORIGIN: New Mexico, unidentified _santero_. LOCATION: East _morada_, left side of altar. MANUFACTURE: St. Peter's head (later): carved wood, gessoed and painted. Body: cloth dipped in wet gesso, draped over stick frame to dry, and painted, later over-painted. Blue gown and orange cape. Cock of carved wood, gessoed and painted; orange body with green haunch. Carved wood tail, replacement.] With the other _bulto_, _penitentes_ have also recalled the crucifixion by representing St. John the Evangelist (San Juan) at the foot of the cross, where Jesus charged the disciple with the care of His mother. The image of John (Figure 42) bears distinctive stylistic features: blunt fingers; protruding forehead, cheek bones, and chin; and a full-lipped, open mouth. [Illustration: FIGURE 42. SAINT JOHN THE EVANGELIST (_San Juan_). SIZE: 137.2 centimeters high. DATE: Second half of 19th century. ORIGIN: New Mexico, "Abiquiú _morada_" _santero_. LOCATION: East _morada_, left side of altar. MANUFACTURE: Carved wood, gessoed and painted; black horsehair wig; dressed in white cotton fabric; palm clusters and rosary.] Since these stylistic traits also occur in a _Cristo_ figure in the Taylor Museum collection[69] and in two other _bultos_--a _Cristo_ and _Jesus Nazareno_ in the south _morada_ at Abiquiú--it seems reasonable to designate the anonymous image-maker as the "Abiquiú _morada santero_." A _bulto_ that Alice Henderson identifies as St. Joseph is probably this figure of St. John (Figure 42) now resting in the east _morada_. She has reported that this image and that of St. Peter were in the mission of Santo Tomás before 1919.[70] The shift in residence for these _santos_ was substantiated by José Espinosa, who stated that several images "were removed to one of the local _moradas_ ... when the old church was torn down."[71]