Embroidered textiles portray the Last Supper, and a chapter banner, made up for the brotherhood after 1925, shows the Crucifixion in oil colors. This banner bears the words "Fraternidad Piadosa D[e] N[uestro] P[adre] J[esus] D[e] Nazareno, Sección No. 12, Abiquiú, New Mexico." The title _fraternidad_ is that assumed by _penitente_ chapters that incorporated in New Mexico around 1930, although the term _cofradía_ often appears in transfers of private land to _penitente_ organizations.[76] A second banner, this one on the left, reads "Sociedad de la Sagrada Familia," which is a Catholic women's organization that often supports _penitente_ groups. In the oratory of the south _morada_, locally made images merit special notice. Two carved images flank the entry to the south _morada_ sanctuary. The _bulto_ on the right, St. Francis of Assisi (Figure 48), has a special significance. As we noted in the east _morada_, many Spanish settlers in New Mexico honored San Francisco as the founder of the Franciscans, the order whose missionaries long had served the region. The second _bulto_ (Figure 49) reveals clues that it originally had been a representation of the Immaculate Conception (_Inmaculata Concepción_). In Abiquiú, however, this figure is called _la mujer de San Juan_ ("the woman of St. John"), a phrase that indicates the major role Mary holds for the _penitentes_. With this image they refer to the moment in the Crucifixion when Jesus committed the care of His mother to St. John. As introductions to the south _morada_ chancel, St. Francis and the Marian image are excellent specimens of pre-1850 _santero_ craftsmanship. [Illustration: FIGURE 48. SAINT FRANCIS OF ASSISI (_San Francisco_). SIZE: 53.3 centimeters high. DATE: First half of 19th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: South _morada_, right wall of chapel. MANUFACTURE: Carved wood, gessoed and painted; blue habit with brown collar; wood cross and skull, tin halo; rosary beads with fish pendants.] [Illustration: FIGURE 49. THE IMMACULATE CONCEPTION (_la mujer de San Juan_ [local name]). SIZE: 55.9 centimeters high. DATE: First half of 19th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: South _morada_, left wall of chapel. MANUFACTURE: Carved wood, gessoed and painted; oil colors over earlier tempera; red gown and crown; blue cape and base.] Two more images of Mary occur on the altar of the south _morada_ sanctuary. The first (Figure 50) takes its proper ecclesiastic position on the Gospel side, to the viewer's left of the crucifix. The second "Marian" image (Figure 51) is less orthodox. Not only does this _bulto_ stand on the Epistle side of the crucifix but, like the Marian advocation cited above as _la mujer de San Juan_, this figure's identity has been changed to suit local taste. _Penitentes_ at Abiquiú refer to the image as Santa Rosa, the traditional patroness of the area following its first settlement by Spaniards.