[Illustration: FIGURE 50. OUR LADY OF SORROWS (_Nuestra Señora de los Dolores_). SIZE: 104.1 centimeters high. DATE: Third quarter of 19th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: South _morada_, left side of altar. MANUFACTURE: Carved wood, gessoed and painted; dressed in pink satin; artificial flowers, tin crown.] [Illustration: FIGURE 51. VIRGIN AND CHILD OR SAINT RITA (_Santa Rosa de Lima_ [local name]). SIZE: 68 centimeters high. DATE: Fourth quarter of 19th century. ORIGIN: New Mexico, unidentified _santero_. LOCATION: South _morada_, right side of altar. MANUFACTURE: Carved wood, gessoed and painted; dressed in pink satin; cross of turned wood; artificial flowers, shell crown.] Between these Marian images there are two large _bultos_ that are examples of the work of the "Abiquiú _morada santero_" suggested earlier. Both are figures of Jesus. The first, a _Cristo_ (Figure 52), is the central crucifix on the altar. As in the east _morada_, the focal image is accompanied by an _angelito_, this time with tin wings.[77] To the right stands the other image of Jesus, the Nazarene, _Nuestro Padre Jesus Nazareno_ (Figure 53). Along with the nearby crucifix (Figure 52) and the figure of St. John the Evangelist (Figure 42) in the east _morada_, this representation of the scourged Jesus reflects the style of the "Abiquiú _morada santero_." This Nazarene _bulto_ embodies the _penitente_ concept of Jesus as a Man of suffering Who must be followed. [Illustration: FIGURE 52. CRUCIFIX WITH ANGEL (_Cristo_ and _angelito_). SIZE: Cross 144.8 centimeters high. DATE: Early 20th century. ORIGIN: New Mexico, "Abiquiú _morada_" _santero_. LOCATION: South _morada_, center of altar. MANUFACTURE: Carved wood, gessoed and painted; purple fabric, waist cloths; tin wings on _angelito_; black cross with _iNRi_ plaque.] [Illustration: FIGURE 53. MAN OF SORROWS (_Ecce Homo, Nuestro Padre Jesus Nazareno_). SIZE: 122 centimeters high. DATE: Second half of 19th century. ORIGIN: New Mexico, "Abiquiú _morada_" _santero_. LOCATION: South _morada_, right side of altar. MANUFACTURE: Carved wood, gessoed and painted; black horsehair wig, crown of thorns; purple fabric gown; palm clusters, rosaries.] The special character of the _penitente_ brotherhood is demonstrated also in the last two _bultos_ on the south _morada_ altar. The prominent size and position of St. John of Nepomuk (Figure 54) on the altar indicate again the importance given by the _penitentes_ to San Juan as a keeper of secrets. The other figure is the south _morada_'s personification of death (Figure 55), _la muerte_, here even more gaunt than the image in the east _morada_. Probably made after 1900, this figure demonstrates the persistent artistic and religious heritage of _Hispano_ culture.