This done, all eat[101] their peyote, to the accompaniment of much spitting out of the woolly center of the buttons; hereafter during the night in the intermissions of singing, anyone can call for the peyote bag (the incense burning may or may not be repeated). Then more cedar is sprinkled on the fire and the leader makes four motions with the staff in his left hand and the rattle in his right toward the rising incense smoke.[102] The drummer motions similarly with the drumstick, pulling smoke from the fire to the drum. The leader takes a bunch of sagebrush from between the tipi-cover and pole behind him (previously prepared by the fireman), holds it with his staff and the singing begins.[103] The drummer shifts his left thumb over the drumhead or sloshes the water inside on it or blows on it to get the proper tension and tone, then the leader holds his staff and sage at arm’s length between himself and the fire and rattles for the Hayätinayo or Opening Song.[104] The leader exchanges his staff and rattle for the drum the latter always passing _under_ the staff,[105] and the drummer sings four songs of his own choosing. The paraphernalia, staff preceding drum, are then passed to the left; each man sings to the drumming of the man on his right, and then himself drums for the man on his left.[106] This singing, rattling, and drumming forms the bulk of the ceremony during the night. At intervals older men pray aloud, with affecting sincerity, often with tears running down their cheeks, their voices choked with emotion, and their bodies swaying with earnestness as they gesture and stretch out their arms to invoke the aid of Peyote. The tone is of a poor and pitiful person humbly asking the aid and pity of a great power, and absolutely no shame whatever is felt by anyone when a grown man breaks down into loud sobbing during his prayer.[107]