So they saw the plot of Bently Brown unfold, scene by scene; unfold in violence and malevolent intrigue and zip and much fighting. Also unfolded something of which Bently Brown had never dreamed; something which the audience, though greeting it with laughter, failed at first to recognize for what it was worth, because every one knew all about the Bently-Brown Western dramas, and every one believed that they were to be made after the usual recipe more elaborately stirred. So every one had been chortling through several scenes before the significance of their laughter occurred to them. Comedy--that was it. Comedy, that had slipped in with cap and bells just when the door was flung open for black-robed Tragedy. But it was too late to stop laughing when they discovered the trick. They saw it now, in the very sub-titles which Luck had twisted impishly into sly humor that pointed to the laugh, in the deeds of blood that followed. They saw it in the goggling ferocity of Big Medicine; in the innocent-eyed, dimpled fiendishness of Pink; in the lank awkwardness of Happy Jack. They saw it in the sentimental mannerisms of Lenore Honiwell, whose sickish emotionalism slipped pat into the burlesque. They rocked in their seats at the heroics of Tracy Gray Joyce, who could never again be taken seriously, since Luck had tagged him mercilessly as an unconscious comedian. Oh, yes, there was zip to the picture! But there was no explanation of the title. _The Soul of Littlefoot Law_ remained as great a mystery when the picture was finished as it had been at the start. Littlefoot Law, by the way, was Pink. That much the audience discovered, and no more; for as to his soul, he did not seem to own one. Luck, still hunched down so that his back hair rubbed against his chair back, was laughing with his jaws wide apart and his fine teeth still gleaming in the half darkness, when Ted, general errand boy at the office, came straddling over intervening laps and laid a compelling hand on his shoulder. "Say, Luck," he whispered excitedly, "the audience author's with Mart, and they both want t' see you. And, say, I guess you're in Dutch, all right; the author's awful mad, and so is Mart. But say, no matter what they do to you, Luck, take it from me, that pit'cher's a humdinger! I like to died a-laughing!" CHAPTER SEVEN BENTLY BROWN DOES NOT APPRECIATE COMEDY