Luck unhooked his hat from his knee, brought his laughing jaws together with that eloquent, downward tilt to the corners of his mouth, sat up straight, considered swiftly the possibilities of the next half hour, and paid tribute in one expressive word of four letters before he went crawling over half a dozen pairs of knees to do battle for his picture. His picture, you understand. For since he had made it irresistible comedy instead of very mediocre drama, he felt all the pride of creation in his work. That was his picture that had set the Acme people laughing,--they who had come to carp and to talk knowingly of continuity and of technique and dramatic values, and to criticize everything from the sets to the photography. It was his picture; he had made it what it was. So he went as a champion rather than as a culprit to face the powers above him. Martinson and Bently Brown were waiting for him near the door. They were not going to stay and see the next picture run, and that, in Luck's opinion, was a bad-weather sign. But he came up to them cheerfully, turning his hat in his fingers to find the front of it before he set it on his head. (These limp, wool, knockabout hats are always more or less confusing, and Luck was fastidious about his apparel.) "Ah--Mr. Brown, this is Mr. Lindsay, ah--director who is producing your stories." Martinson's tone was as neutral as he could make it. Luck said that he was glad to meet Mr. Brown, which was a lie. At the same instant he found the stitched-down bow on his hat, and from there felt his way to the front. At the same time he decided that there was going to be something doing presently, if Mart's manner meant anything at all. Mart was a peaceable soul, and in the approaching crisis Luck knew he would climb hurriedly upon the fence of neutrality and stay there; and Luck could fight or climb a tree as he chose. They went outside, and Luck turned his eyes sidewise and took a look at Bently Brown. He measured him mentally from pigskin puttees to rakish, stiff brimmed Stetson with careful dimples in the crown and a leather hatband stamped with horses' heads and his initials. In a picture, Luck would have cast Bently Brown, costume and all, for a comedy mining engineer or something of that sort. You know the type: He arrives on the stage that is held up, and is always in the employ of the monied octopus, and the cowboys who pursue and capture the bandits have fun afterwards with the engineer,--so much fun that he crawls out of an up-stairs window in the night and departs hastily and forever from that place. You are perfectly familiar with the character, I am sure.