In French literature, the same influence is even more noticeably at work. It is the fashion to abuse Zola, and to say that his works are obscene; so they are, and so is the life that he depicts, but his descriptions are true to the letter; and the gaunt and wanton misery which he described in "l'Assommoir" is not, to my thinking, such as one need blush over, but rather such as might well cause tears. The work which those princes of literature, the Goncourts and Daudet, have performed, has been prepared, as one may say, with pens pricked in sorrow. "Germanie Lacerteux," "la Fille Eliza," "Chérie," "Jack," the "Nabab," and the "Évangéliste," are but one long-drawn-out cry of variegated yet self-same agony. In this respect Tourguénieff was well up to the age, as is also Spielhagen, who is very generally considered to be the best of German novelists. The splendid wickedness of mediæval Italy has done little to inspire her modern authors. The romances most abundant there are cheap translations from the French. De Amicis, the most popular native writer, and one whose name is familiar to every one as a traveler in Gautier's footsteps, has written but few stories, of which the best, however, "Manuel Menendez," is the incarnation of the soul of tragedy.[11] Less recently, Stendhal, Balzac and Flaubert have harped the same note of accentuated despair; Musset has sung songs that would make a statue weep, and Baudelaire seems to have supped sorrow with a long spoon. In brief, the testimony of all purely modern writers amounts pretty much to the same thing; life to them seems an affliction. This, of course, it may do without altering its value to others; let any one, for instance, go to a well-nurtured and refined girl of eighteen and tell her that life is an affliction, and she will look upon her informant as a retailer of trumpery paradox. And at eighteen what a festival is life! To one splendid in beauty and rich in hope how magnificent it all seems; what unexplored yet inviting countries extend about the horizon! winter is a kiss that tingles, and summer a warm caress; everything, even to death, holds its promise. And then picture her as she will be at eighty, without an illusion left, and turning her tired eyes each way in search of rest. Life is not an affliction to those who are, and who can remain young; there are some who, without any waters of youth, remain so until age has sapped the foundation of their being; and it is from such as they that the greatest cheer is obtained. But to those who live, so to speak, in the thick of the fight, who see hope after hope fall with a crash, and illusion after illusion vanish into still air; to the intelligent, to the observer, and especially to him who is forced against his will to struggle in the van, life is an affliction, a mishap, a calamity, and sometimes a curse.