THE PHILOSOPHY OF FINE ART BY G. W. F. HEGEL TRANSLATED, WITH NOTES, BY F. P. B. OSMASTON, B.A. AUTHOR OF "THE ART AND GENIUS OF TINTORET," "AN ESSAY ON THE FUTURE OF POETRY," AND OTHER WORKS VOL. III LONDON G. BELL AND SONS, LTD. 1920 CONTENTS OF VOL. III THIRD PART THE SYSTEM OF THE PARTICULAR ARTS INTRODUCTION [Summary. Nature of the relation between the system of Art-types, or the collective totality of ideal world-presentments, and their objective realization in independent works of art. Nature of the process in the evolution of the specific arts themselves, and of the aspects identical in all. The origins of art. Grace, Charm, and severe or agreeable Style] DIVISION OF THE SUBJECT [The principle of differentiation as determined by the sensuous aspect of the subject-matter, and the relation thereto of the human senses of Sight, Hearing, and intellectual Conception. Insufficiency of such a principle of classification. Alternative principle discussed and illustrated of more concrete nature, in which the evolution of truth as the reality of the Idea itself is presented] SUBSECTION I ARCHITECTURE INTRODUCTION [Of the beginnings of human art, and that of building in particular. Of the nature of the subordinate classification of architecture viewed as symbolic, classical and romantic] Division of Subject CHAPTER I INDEPENDENT AND SYMBOLIC ARCHITECTURE Introduction and Subdivision 1. Works of architecture erected in order to unite peoples 2. Works of architecture intermediate between the arts of building and sculpture (_a_) The influence of the generative activity of Nature on the form of buildings (_b_) Further modification of similar conceptions in the obelisks of Egypt and other examples (_c_) Temple enclosures, labyrinths, etc. 3. The transition from self-substantive architecture to the classical type (_a_) The nature of subterranean dwellings (_b_) Construction raised to house the dead in Egypt and elsewhere. The Pyramids (_c_) Buildings that directly subserve a purpose as the point of transition to the classical type. The ordinary dwelling. The environment of the sculptured image. The adoption of the principle of expediency. The abstraction of parts of a building from the organic form, _e.g._, in the column CHAPTER II CLASSICAL ARCHITECTURE Introduction and Subdivision 1. The general character of classical architecture (_a_) Serviceableness to a definite end (_b_) The nature of the fitness or power of adaptation of such a structure to such an end (_c_) The relatively greater artistic freedom of such architecture. Architecture as frozen music. The dwelling-house 2. The fundamental determinants of architectural forms in their separation (_a_) Buildings of wood and stone. The question of their historical priority (_b_) The specific forms of the parts of a temple-dwelling. [(_α_) Features of support. The column