(_β_) The thing supported. The entablature, in its architecture, cornice, etc. (_γ_) That which encloses. The walls and partitions] (_c_) The classical temple in its entirety [(_α_) The horizontal rather than soaring-up character (_β_) The simplicity and proportion (_γ_) The nature of its elaboration] 3. The different constructive types of classical architecture (_a_) The Doric, Ionian, and Corinthian types, compared and contrasted (_b_) The Roman type of building. The vault (_c_) General character of Roman architecture CHAPTER III ROMAN ARCHITECTURE 1. General Architecture 2. Particular architectural modes of configuration (_a_) As the basic form we have the wholly shut away dwelling-house [(_α_) Relation of this form to the ideal character of the Christian religion (_β_) Exclusion of light and access to mundane life (_γ_) The aspect of soaring in tower and pinnacle] (_b_) The form of the exterior and interior [(_α_) The figure of the square and rectangular roofing not appropriate. Parallel between the vaulting of a Gothic church and a roofing of forest trees. Distinction between piers and columns. The pointed arch. Distinction between choir, transept, nave, and aisles. The baptismal font and entrance (_β_) In contrast to the Greek temple decoration and and general coordination of parts determined from within outwards. The form of Cross. The doors. Flying buttresses, pinnacles, and towers] (_c_) The mode of decoration [(_α_) Importance of ornament to Gothic architecture (_β_) Lightness and delicacy a prevailing feature, especially on the outside (_γ_) Display of romantic imagination therein] 3. Different types of building in romantic architecture (_a_) The pre-Gothic architecture distinct from it. The basilica (_b_) Genuine Gothic architecture of the thirteenth century (_c_) Secular architecture of the Middle Ages. The art of garden-making SUBSECTION II SCULPTURE INTRODUCTION [Sculpture makes a direct use of the human form instead of accepting a symbolical mode of expression merely suggestive of spiritual import. Does not primarily express emotion or spiritual life in action or the focus of soul-life. Absence of colour] Division of subject CHAPTER I THE PRINCIPLE OF GENUINE SCULPTURE 1. The essential content of sculpture [(_a_) The twofold aspect of subjectivity. The province of subjective life as such to be excluded from sculpture. The Divine presented in its infinite repose and sublimity (_b_) Presents a spiritual content only as explicit in bodily shape] 2. The beautiful form of sculpture (_a_) The exclusion of the particularity of the appearance. How far relative (_b_) The exclusion of incidental facial expression (_c_) Substantive individuality 3. Sculpture as the art of the classical Ideal CHAPTER II THE IDEAL OF SCULPTURE Introduction and division of subject 1. The general character of the ideal form of sculpture