The philosophy of Jake Haiden (late Jacob K. Huff) : $b selected from the columns of the Reading Times, Reading, Pennsylvania : with a biographical appreciation by his friend Henry W. Shoemaker — John Shaqi
The philosophy of Jake Haiden (late Jacob K. Huff) : $b selected from the columns of the Reading Times, Reading, Pennsylvania : with a biographical appreciation by his friend Henry W. ShoemakerHuff, Jacob K.
Philosophy
The philosophy of Jake Haiden (late Jacob K. Huff) : $b selected from the columns of the Reading Times, Reading, Pennsylvania : with a biographical appreciation by his friend Henry W. Shoemaker
Huff, Jacob K.
American essays; Huff, Jacob K., 1851-1910
The average reader of newspapers and magazines imagines that humorous
writers are always funny, and always saying funny things. Nothing could
be farther from the real facts. The humorous side of humanity while
wading through every day events, likewise sees the pathetic side. The
pathos of life makes the shade and shadow of life’s picture, while the
funny features make the humorous pictures—the cartoons and exaggerations.
I know a little story connected with the work of a humorous writer, so
full of pathos that one can but wonder how he could write of the humorous
side of life while sitting in the very presence of death.
During the days of his severest struggles for recognition (and bread)
his wife’s aged father was taken ill, and the doctor said it was only
a matter of a few weeks or days with the kind old man, and then his
struggles on the earth would be over. And through all the nursing and
watching the young author was obliged to grind out his “stuff” for the
publishers who kept the wolf from his door.
One night the faithful daughter could endure the strain and loss of sleep
no longer, and was obliged to go to bed, leaving only her author husband
to watch at the bedside of the dying father, and to grind out his sketch
for the next issue of the paper.
It was hard to forget the man who was passing over the dark stream and
concentrate his mind on some ridiculous phase of life, but this he must
do, for he needed yet a humorous anecdote to round out the line of
argument he was introducing—that men are more truthful than their dreams.
He was attempting to prove that men, while in the act of dreaming a lie,
would tell the truth, if subject to speaking out loud in their sleep.
But humorous ideas were slow about coming, and he leaned over, with
his face buried deep in his hands, and tried to think. All of a sudden
he recalled an incident of real life, that would serve to complete his
story, but before he could take up his pencil the sick man brightened up
and remarked:
“Pretty hard to write scenes from the funny side of life, while waiting
on some one to die!”
“’Tis that, father,” replied the young man tenderly; “but I just now
recall an incident from the life of old Jim McGrabber that will finish
the sketch.”
“Poor fellow!” softly exclaimed the dying man. “I pity you, my boy. It
is more than most men are obliged to do. But don’t mind me. Even if I
pass away while you are working, I will know that you are only doing
your duty. Besides, my boy, it softens death to me to feel that others
can forget it while it hovers so near. And in encouraging you to go on
with your work, I hope to leave the impression behind that dying men can
remain interested in the triumphs and achievements of life, even though
they are old and feeble and their heart liable to stop forever without a
moment’s warning. Go on with your work, and I will try to sleep.”
Public-domain text, read in full here on John Shaqi.
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