“I have often wondered who lives there; but it must be some happy one;
again this morning was I thinking so.”
“Some happy one,” returned I, starting; “and why do you think that? You
judge some rich one lives there?”
“Rich or not, I never thought; but it looks so happy, I can’t tell how;
and it is so far away. Sometimes I think I do but dream it is there.
You should see it in a sunset.”
“No doubt the sunset gilds it finely; but not more than the sunrise
does this house, perhaps.”
“This house? The sun is a good sun, but it never gilds this house. Why
should it? This old house is rotting. That makes it so mossy. In the
morning, the sun comes in at this old window, to be sure—boarded up,
when first we came; a window I can’t keep clean, do what I may—and half
burns, and nearly blinds me at my sewing, besides setting the flies and
wasps astir—such flies and wasps as only lone mountain houses know.
See, here is the curtain—this apron—I try to shut it out with then. It
fades it, you see. Sun gild this house? not that ever Marianna saw.”
“Because when this roof is gilded most, then you stay here within.”
“The hottest, weariest hour of day, you mean? Sir, the sun gilds not
this roof. It leaked so, brother newly shingled all one side. Did you
not see it? The north side, where the sun strikes most on what the rain
has wetted. The sun is a good sun; but this roof, in first scorches,
and then rots. An old house. They went West, and are long dead, they
say, who built it. A mountain house. In winter no fox could den in it.
That chimney-place has been blocked up with snow, just like a hollow
stump.”
“Yours are strange fancies, Marianna.”
“They but reflect the things.”
“Then I should have said, ‘These are strange things,’ rather than,
‘Yours are strange fancies.’”
“As you will;” and took up her sewing.
Something in those quiet words, or in that quiet act, it made me mute
again; while, noting, through the fairy window, a broad shadow stealing
on, as cast by some gigantic condor, floating at brooding poise on
outstretched wings, I marked how, by its deeper and inclusive dusk, it
wiped away into itself all lesser shades of rock or fern.
“You watch the cloud,” said Marianna.
“No, a shadow; a cloud’s, no doubt—though that I cannot see. How did
you know it? Your eyes are on your work.”
“It dusked my work. There, now the cloud is gone, Tray comes back.”
“How?”
“The dog, the shaggy dog. At noon, he steals off, of himself, to change
his shape—returns, and lies down awhile, nigh the door. Don’t you see
him? His head is turned round at you; though, when you came, he looked
before him.”
“Your eyes rest but on your work; what do you speak of?”
“By the window, crossing.”
“You mean this shaggy shadow—the nigh one? And, yes, now that I mark
it, it is not unlike a large, black Newfoundland dog. The invading
shadow gone, the invaded one returns. But I do not see what casts it.”
“For that, you must go without.”
“One of those grassy rocks, no doubt.”
Public-domain text, read in full here on John Shaqi.
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