I seen her eyes jump the way they always do when you’re guided right,
and I knowed I’d touched the achin’ spot. While I was tellin’ her about
my control and the beautiful light that was hoverin’ over her, I palmed
and opened the locket. I got the picture out—they’re all alike, them
lockets—and behind it was a curl of gold hair and the name “Lillian.” I
got the locket back on the table, and the spirits guided me to it for
her test. When I told her that the spirit callin’ for her was happy in
that brighter sphere and sent her a kiss, and had golden hair, and was
called “Lillian” in the flesh plane, she was more overcame than I ever
seen a party at a seance. I told her she was a medium. I could tell it
by the beautiful dreams she had sometimes.
Right here, Mrs. Schreiber shook her head, indicatin’ that I was
travellin’ in a dangerous direction. Developin’ sittin’s is saved for
parties when you can’t approach ’em on the departed dear ones. In cases
like the one under consideration, the most logical course, you
comprehend, is to give private test sittin’s. But I knowed what I was
doin’. I told her I could feel a marvellous power radiate from her, and
her beautiful dreams was convincin’ proof. She expressed a partiality to
be developed.
When I got her alone in the sittin’, holdin’ her hand and gettin’ her to
concentrate on my eyes, she made manifest her inmost thoughts. She was a
widow runnin’ a lodgin’-house. Makin’ a inference from her remarks, I
seen that she hadn’t no money laid by, but only what she earned from her
boarders. The instalment plan was better than nothin’. She seized on the
idea that I could bring Lillian back if I had proper conditions to work
with. In four busy weeks, I was enabled by her magnanimity to open a
materialisin’ circle of my own, with a cabinet and a self-playin’ guitar
and four good spirit forms. I procured the cabinet second-hand, which
was better, because the joints worked easier, and I sent for the spirits
all the way to a Chicago dealer to get the best. They had luminous forms
and non-duplicated faces, that convinced even the most sceptical. The
firm very liberally throwed in a slate trick for dark cabinets and the
Fox Sisters’ rappin’ table.
I took one of them luminous forms, the littlest one, and fixed it with
golden curls painted phosphorescent. Mrs. Schreiber and the rest, all
glad to be partakers in my good fortune, was hired to come on the front
seats and join hands with each other across the aisle whenever one of
the spirits materialised too far forward toward the audience. We
advertised heavy, and the followin’ Sunday evenin’ had the gratification
to greet a numerous and cultured assemblage. I was proud and happy,
because steppin’ from plain test control to materialisin’ is a great
rise for any medium.
Public-domain text, read in full here on John Shaqi.
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