Mrs. Higgins—that was her name, Mrs. Clarissa Higgins—come early all
alone. I might ’a’ brought Lillian right away, only that would be
inelegant. First we sang, “Show Your Faces,” to get the proper psychie
current of mutuality. Etherealisin’ and a few tunes on a floatin’ guitar
was next. When my control reassured itself, I knowed that the time had
came, and let out the first spirit. A member of the Spirit Truth Society
on the front seat recognised it for a dear one, and carried on real
realistic and natural. I let it vanish. The next one was Little Hookah,
the spirit of the Egyptian dancer, that used to regale the Pharaohs in
the depths of the Ghizeh pyramid. I touched off a music-box to accompany
her for a skirt-dance with her robes. I done that all myself; it was a
little invention of my own, and was recognised with universal
approbation.
That was the time for Lillian to manifest herself, and I done it
artistic. First she rapped and conversed with me in the spirit whisper
back of the curtains. You could hear Mrs. Higgins in the audience
drawin’ in her breath sort of awesome.
I says for the spirit, in a little pipin’ voice, “Tell mamma not to
mourn, because her lamentations hinders my materialisation. The birds is
singin’, and it is, oh, so beautiful on this shore.”
Then commandin’ the believers on the front seats to join hands in a
circle of mutuality, in order to assist the sister on the other shore to
put on the astral symbols of the flesh, I materialised her nice and easy
and gradual.
We was prepared for demonstrations on the part of Mrs. Higgins, so when
she advanced I began to let it vanish, and the psychie circle of clasped
hands stopped her while I done the job up good and complete. She lost
conscientiousness on the shoulder of Mrs. Schreiber.
Not borin’ you, gentlemen, with the details of my career, my business
and religious relations with Mrs. Higgins was the beginnin’ of my
success. Myself and the little circle of believers—that guarded the
front seats from the protrusions of sceptical parties that come to
scoff, and not infrequent come up as earnest inquirers after my control
had passed—we lived easy on the proceeds.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account