Moreover, he was afraid of everybody now because he was afraid of the
princess. She had looked at him in a way that had completely upset him;
but she had said nothing to him; not a word of praise or encouragement
had accompanied that glance, which was more than kind, it is true, but
for that very reason incomprehensible. And suppose he had been mistaken
touching the expression of her face! suppose that, when she thus fixed
her lovely, joy-laden eyes upon him, she was thinking of some entirely
different person--her lover, perhaps, for she must have a lover,
whatever Magnani might say!
At the bare idea Michel felt faint and sick; he fancied that he saw the
princess leaning on the arm of the fortunate mortal for whose sake she
pretended to entertain no thought of marriage. They were glancing
absently at the young painter's work, and smiling as they looked into
each other's eyes, as if to say:
"What does it matter to us? nothing is beautiful, nothing exists for us,
except ourselves."
Weary of suffering so entirely without reason, Michel thought to conquer
and tranquillize himself by adopting a superb resolution.
"I will go to bed," he said to himself, "and sleep like a prince, like a
hero, while people are criticising me, disputing and perhaps getting
excited about me in yonder palace. To-morrow morning, father will come
and wake me, and tell me whether I have won the laurel wreath or have
been hissed. What does it matter to me, after all?"
It mattered so little to him, in very truth, that, instead of
undressing, he dressed to go to the ball. In a most extraordinary fit of
abstraction, he arranged his beautiful hair, which would have been a bit
too long for a strictly fashionable patrician, but which formed a
beautiful frame for his intelligent and impassioned face. He removed
with the greatest care all traces of toil; he donned his finest linen
and his best clothes; and when he had glanced at his little mirror, he
decided, and with good reason, that no guest at the princess's ball
would present a more distinguished figure than he.
Having thus prepared for bed, he left the house, and when he had taken
ten steps out of doors, he discovered that an inexplicable preoccupation
was leading him in the direction of the Palmarosa palace. Indignant with
himself, he returned, took off his coat, tossed it on the bed, opened
his window and sat beside it, torn between the heroic determination to
retire and the irresistible temptation to go and witness the fête.
The countless lights of the palace twinkled before his eyes, the notes
of the orchestra reached his ears through the echoing night. Carriages
were rolling in all directions; no one was asleep in the city or the
outlying country. Indeed, it was not nine o'clock, and Michel felt
little inclined to sleep. He closed his window and started to take up a
book; but the cyclamen, which he had tossed upon the table in an
outburst of anger against himself, was the only object within his reach.
Public-domain text, read in full here on John Shaqi.
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