The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
signora and presented my petition, which was granted on the spot. But
she too wanted me to sing, and I would not consent. My proud persistence
in refusing astonished Signora Aldini without irritating her. She
thought that she would overcome it later, but she did not easily
succeed. The more I attended the theatre, and the more I practised and
improved, the more conscious I became of all that I still lacked, and
the more I dreaded to allow others to hear me and judge me before I was
sure of myself. At last one superb moonlight night, on the Lido, as the
signora, by lengthening her usual row, had made me miss the theatre and
my hour of solitary practice, I was suddenly seized with a longing to
sing, and I yielded to the inspiration. The signora and her lover
listened to me in silence; and, when I had finished, they did not
address a word to me, either of praise or blame. Mandola alone, having
the keen taste for music of a true Lombard, cried several times when he
heard my youthful tenor: "_Corpo del diavolo! che buon basso_!"
I was a little hurt by my mistress's heedlessness or indifference. I
knew that I had sung well enough to deserve a word of praise from her
mouth. Nor did I understand the prince's coldness after the praise he
had lavished on me two months earlier. I learned afterward that my
mistress was amazed by my talent and my powers, but that she had
determined to seem unmoved by my first attempt, to punish me for making
her beg so long.
I took the lesson to heart, and a few days later, when she called on me
to sing while she was in the gondola, I complied with a good grace. She
was alone, lying on the cushions of the gondola, and seemed to be in a
melancholy frame of mind, which was by no means usual with her. She did
not speak a word to me during the row; but when we returned and I
offered my arm to assist her up the steps of the palace, she said these
words to me, which left me in a strangely excited state:
"Nello, you have done me a vast deal of good. I thank you."
On the days following, I myself offered to sing. She seemed to accept my
offer with gratitude. The heat was most intense and the theatres were
closed; the signora said that she was ill; but what made the most
impression on me was the fact that the prince, who was usually so
assiduous in his attendance, had ceased to come with her oftener than
once in two or three or even four evenings, I thought that he too was
beginning to be unfaithful and I grieved for my poor mistress. I could
not understand her obstinacy in refusing to marry; it seemed most unfair
to me that Montalegri, who seemed to be so kind and gentle, should be
sacrificed to the sins of the late Torquato Aldini. On the other hand, I
could not understand why so sweet and lovely a woman should have for
lovers only base speculators who were more covetous of her fortune than
attached to her person, and sickened of the latter as soon as they
despaired of obtaining the former.
Public-domain text, read in full here on John Shaqi.
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