The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
Michel looked at his sister. She was fairly beaming with confidence and
joy. The princess had arrayed her in a gown of bright pink silk, with
several strings of beautiful great pearls about her neck and arms. A
wreath of natural flowers, wonderfully beautiful and arranged with
consummate art, crowned her dark face without concealing the abundant
treasures of her hair. Her little feet were daintily shod, and her
pretty fingers opened and closed Agatha's splendid fan with as much
grace and dignity as any _marchesina_. She was a muse of the
Renaissance, a patrician maiden, and a lovely damsel of the South,
radiant with health, nobility, and poetic charm.
Agatha looked at her with an air of motherly pride, and smiled lovingly
as she talked of her in Pier-Angelo's ear.
Michel then turned his eyes upon Magnani. He was gazing alternately at
the modest princess and the lovely silk-spinner of the Catanian suburb
with extraordinary emotion. He was no better able than Michel to
understand the strange and bewildering dream in which he seemed to be
moving. But it is certain that he saw Mila only through a cloud of gold
and fire, which emanated from Agatha and was projected upon her young
friend as if by magic.
XLI
JEALOUSY AND GRATITUDE
The princess led the marquis and Pier-Angelo aside to tell them that
Ninfo was in the Piccinino's hands, and that she had been so informed by
an eye-witness of his capture whom she was not at liberty to name.
More ices were brought, and the conversation was renewed. Despite
Magnani's perturbation and timidity, despite Michel's excitement and
preoccupation, the princess and the marquis speedily tranquillized the
two young men, thanks to the judicious courtesy and the great art of
being simple, which well-bred people possess when the foundation of
their character corresponds with the external charm due to exquisite
tact. Thus Agatha questioned Michel concerning subjects with which he
was familiar, and on which he felt deeply. The young artist was
overjoyed by her perfect comprehension of art, and he stored away in his
memory several far-reaching definitions which she let fall, her mode of
expressing herself was so simple and natural. When she spoke to him she
seemed to be consulting rather than instructing him, and her glance,
alight with penetrating sympathy, seemed to seek in Michel's eyes
confirmation of her own opinions and ideas.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account