The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
While recording the progress of events--the deeds of war mingling with
the works of peace--the pictorial press is not unmindful of what is done
in the cause of humanity. One of the recent experiences of the special
artist was in making a journey across Siberia in search of the survivors
of the crew of the American exploring ship _Jeanette_. Mr. J. Gordon
Bennett, the proprietor of the _New York Herald_, having sent out a
commissioner to search for the missing expedition, he was joined by the
special artist of the _Illustrated London News_. They had before them
a journey of two or three thousand miles, and they travelled in one of
the covered sledges used in Siberia in the winter time. It was their
travelling carriage by day and their sleeping apartment at night.
Sometimes they had to turn out and defend themselves from the wolves
which followed them over the snowy waste. The artist on this occasion
was Mr. Larsen, of Copenhagen, who proved himself a first-rate special.
[Illustration: SPECIAL ARTIST'S TENT.]
When the effects of a deadly climate are added to the usual chances of
war, the courage and endurance of the newspaper correspondent are doubly
tried. The 'specials' of the principal London journals joined the
Ashantee expedition with as much alacrity as if they had been going to a
review in Hyde Park. Among them was Mr. Melton Prior, the artist of the
_Illustrated London News_, who landed at Cape Coast Castle before the
arrival of the British troops, marched with them to Coomassie, and
remained in that place till it was destroyed by the victors. But the
long march in such a climate had exhausted the strength of many, and the
special artist was among the number. On nearing Coomassie he could no
longer trust to his own unaided powers of locomotion, so he laid hold on
the tail of a mule which he saw ambling before him, and so was helped
forward. The gentleman who was riding the mule turned round, when it
proved to be Sir Garnet Wolseley himself, who, in answer to the
exhausted artist's apologies, good-humouredly told him to 'hold on!'
Public-domain text, read in full here on John Shaqi.
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