"My worthy sir," said the old man, now addressing the stranger, "you
have distressed me; you have been too hasty with the young man; he is
heedless and extravagant, but I have never yet heard of his playing a
foul trick."
"One must always be the first," said the stranger with cool
bitterness; "he has at all events paid to-day his scholar's fee, and
will either reform or learn the necessity of managing his matters more
prudently, and in no case losing his temper."
"He has certainly been imposed on himself," said Walther, "or has
really found the picture as he says; and his father, who was a great
judge, laid it by for the very reason that it was not genuine."
"You wish to put the best face on the matter, Sir," said the stranger;
"but in that case the young man would not have been so indecently
violent. Who is he, pray, after all?"
"His father," so the old gentleman's story ran, "was a rich man, who
left behind him a large property; he had a passion for our art of an
intensity of which few men certainly are capable. He devoted to it a
great part of his fortune, and his collection might justly be called
incomparable. In his attention to it however he neglected rather too
much, it must be owned, the education of this his only son; hence on
the old man's death the youth thought of nothing but spending his money
in the company of parasites and low people, and keeping women and
equipages. When he came of age he had enormous debts to pay to usurers
and on bills, but he set his pride in increasing his extravagance; the
pictures were sold, for he had no taste for them; I took them at fair
prices. He has now, I believe, pretty nearly run through every thing
except the house, which is a handsome one, though that too may perhaps
be encumbered with debts; knowledge he has scarcely acquired any;
employment is insupportable to him; and so one cannot help seeing with
concern how he is advancing towards his ruin."
"The every-day history of numbers," observed the stranger, "and the
common course of a paltry vanity, that leads men gaily into the arms of
dishonour."
"How have you been able to acquire so sure an eye?" inquired the
counsellor. "I am astonished too at the style of your drawing after
Julio Romano, since you say you are no artist."
"But I have long studied the art," answered the stranger; "I have
viewed with some diligence, and not without profit, the most important
galleries in Europe; my eye is naturally keen and accurate, and has
been improved and rendered sure by practice; so that I may flatter
myself that I cannot easily be deceived, at all events on the subject
of my favourites."
The stranger now took his leave, after having been forced to promise
the collector to dine with him the next day, for the old gentleman had
conceived a great respect for the traveller's accomplishments.
* * * * *
Public-domain text, read in full here on John Shaqi.
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