In unspeakable anger Edward returned home. He went furiously in, banged
all the doors violently after him, and hastened through the great rooms
to a little back parlour, where, in the twilight, sat old Eulenböck,
with a glass of generous wine by his side, waiting for his coming.
"Here!" cried Edward, "thou old wry-nosed, wine-burnt scoundrel, is thy
daub again; sell it to the soap-boiler up the street, and let him melt
it down into his vat, if the painting does not suit him."
"A pity that for my good little picture," said the old painter, pouring
himself out another glass with perfect coolness. "Thou art warm,
darling; so the old man would have nothing to say to the bargain?"
"Rogue!" cried Edward, flinging the picture violently away; "and on thy
account I am become a rogue myself! Affronted, insulted! Oh, and how
ashamed of myself, my face and neck all of a glow from top to bottom,
that for thy sake I should have permitted myself such a lie!"
"It's no lie at all, manikin," said the painter, as he unwrapped the
picture; "it is as genuine a Salvator Rosa as I ever painted. Thou hast
never seen me at work upon it, and therefore canst not know who the
author is. Thou hast no dexterity, my little simpleton; I ought not to
have trusted thee with the business."
"I will be a man of honour!" cried Edward, striking the table with his
fist; "I will become a steady man, and be once more respected by others
and myself. I will become quite another creature, I will enter on a new
course of life!"
"Why put thyself out of temper?" said the old man, renewing his
draught. "I will not hinder thee; I shall rejoice to see the day. I
have always, thou knowest, warned thee and lectured thee; I tried too
to accustom thee to work; I wanted to initiate thee in the process of
restoration, to teach thee to prepare varnishes, to grind colours, in
short, I have left no stone unturned for thy benefit."
"Dog of a fellow!" cried Edward, "was I to become thy journeyman, thy
colour-grinder? But in truth I sunk to-day deeper still, when I let
myself be used as a knave's knave!"
"What derogatory expressions the lad makes use of!" said the painter,
sniggering in his glass. "Were I to take such things to heart, here had
we forthwith tilting or bitter feud. But he means well for all his
warmth; the youngster has something noble in his character; only as a
picture-dealer, to be sure, he is good for nothing."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account