From my companion, the prince-hierarch, I learned it was begun by an
ancient Pharaoh of the same name, one of the kings of the oldest
dynasty, who conceived the idea of chiselling into these grand
proportions a mass of rock, which, projecting from the Libyan hills,
nearly obstructed the view of the principal pyramid.
We were here forbidden to advance in our chariot, and the footmen, who
had never left the side of the horses, however swiftly our charioteer
might drive, caught them by the head, and we alighted.
I had leisure now to contemplate the scene before me. The personation
of majesty, the sphinx, fills the breadth of the approach between the
massive pillars of the colonnade. Between his fore-paws, which extend
fifty feet, while the body is nearly three times this measure, stands
a beautiful temple faced with oriental alabaster. His head is crowned
with a helmet slightly convex, upon which, like a crest, is affixed
the sacred uræus or serpent, shining with gold. The cape or neck-band
of the helmet is of scales, colored blue, red, green, and orange,
intermingled with gilding. A great and full beard descends over his
breast, immediately under which, and between his feet, is the summit
of the temple where sacrifices are daily offered to the god. Above his
towering brow soars the mighty pyramid before which this colossus
keeps guard.
"The majesty of this image, O prince," said the high-priest, as,
leaning at every step upon his slender acacia rod, he walked by my
side, "impresses you."
"It is the most majestic of all the gods of Egypt," I answered.
"Yes. Its age is nearly coeval with the pyramid."
"On the pyramidion base of the left obelisk in front of the temple of
Osiris, have I not seen reposing four small sphinxes copied from
this?"
"Thou hast seen them. That obelisk is many ages old; yet long before
it, was this sphinx-god, as silent, majestic, and immovable in eternal
repose as you behold him now."
At the termination of the avenue of direct approach, we descended an
inclined plane to a platform of marble, on which is an image of Osiris
in stone, and were brought nearly opposite the lower part of its face.
Then another flight of steps, cased with polished porphyry, brought us
on a level with the top of the temple. In the centre of this level
platform stands a statue of Horus, cast in bronze. Thence descending
another flight of thirty broad steps, we stood in the space between
the enormous feet of the sphinx, and directly before the beautiful
temple.
Our gradual approach in this descent, during which the sphinx was kept
constantly in view, rising above us as we descended, heightened the
impressions first made upon me by its colossal size; and I beheld,
with new emotions of sublimity, its posture of repose and calm majesty
of aspect.
Public-domain text, read in full here on John Shaqi.
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