Jerry bought enough of the stamps to paper the walls of his swank and
spacious penthouse offices, for the benefit of the swarm of tourists
who invaded the place daily during afternoon open-house hours. They all
wanted to see an advertising agency; to them, this phenomenon was the
essence of that primitive planet, Earth. Jerry had recorded a lecture
on primitive Earth customs which issued from concealed loudspeakers,
and filled display cases with exhibits of primitive Earth culture,
emphasizing the aspects he felt these extraterrestrials would find most
exotic.
Considering the fact that Jerry had managed to learn little about the
Federated Planets that was not utterly essential to the mechanics
of his advertising campaign there, he had done a pretty good job of
"getting on the customer's side of the counter." Every tourist Jerry
talked to had been conditioned, by some unrevealed but apparently
foolproof process, not to repeat the Ambassador's error of mentioning
Matter Repositors, or other aspects of life on the Federated Planets
that might cause repercussions on Earth. Even tourist children couldn't
be bribed with lollypops. Tourists talked a great deal, in fluent
idiomatic Earth English, yet somehow said very little.
But Jerry knew at least one thing--he was stirring emotions that lay
so deep under layers and layers of civilization that these shining,
perfect people hadn't known they were capable of feeling them, until
they visited Earth. He was getting under their smooth skins, just as
surely as the monotone of a Haitian drum-beat gets under the skin of a
New Yorker.
One of the display cases contained the working tools of
gangsterism--sawed-off shotguns, blackjacks, a model of a bullet-proof
automobile, a news photo of the St. Valentine's Day massacre, a
clipping about police payoffs from houses of gambling and prostitution,
another about blindness resulting from wood alcohol. The shot-glasses
of authentic antique bootleg gin that stood on top the cases were often
smelled but never sampled.
The second case showed a chart of fluctuations of the stock market,
with an actual operating ticker in the middle. Sections of the tape
were much in demand as souvenirs. But the photo of a smashed body of
a once-wealthy man who jumped from his office window after losing his
fortune caused the most comment. The tourists found it difficult to
understand how this man could consider his life less important than his
bank balance.
The largest case contained models of war weapons, a lurid painting of
Pearl Harbor under aerial attack, another of the Hiroshima mushroom
that ushered in the atomic age. There were gas masks, artificial limbs,
a photo of a blinded veteran led by a Seeing-Eye dog. The tourists
gaped at that exhibit with all the relish of Coney Island crowds
visiting wax replicas of famous murder scenes.
Public-domain text, read in full here on John Shaqi.
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