Chicago (Ill.) -- Fiction; Didactic fiction; Domestic fiction; Married people -- Fiction; Psychological fiction; Wheat trade -- Fiction
men were ruined, and two-thirds of Cressler's immense fortune vanished
like a whiff of smoke.
But he had learned his lesson. Never since then had he speculated.
Though keeping his seat on the Board, he had confined himself to
commission trading, uninfluenced by fluctuations in the market. And he
was never wearied of protesting against the evil and the danger of
trading in margins. Speculation he abhorred as the small-pox, believing
it to be impossible to corner grain by any means or under any
circumstances. He was accustomed to say: "It can't be done; first, for
the reason that there is a great harvest of wheat somewhere in the
world for every month in the year; and, second, because the smart man
who runs the corner has every other smart man in the world against him.
And, besides, it's wrong; the world's food should not be at the mercy
of the Chicago wheat pit."
As the party filed in through the wicket, the other young man who had
come with Landry Court managed to place himself next to Laura. Meeting
her eyes, he murmured:
"Ah, you did not wear them after all. My poor little flowers."
But she showed him a single American Beauty, pinned to the shoulder of
her gown beneath her cape.
"Yes, Mr. Corthell," she answered, "one. I tried to select the
prettiest, and I think I succeeded--don't you? It was hard to choose."
"Since you have worn it, it is the prettiest," he answered.
He was a slightly built man of about twenty-eight or thirty; dark,
wearing a small, pointed beard, and a mustache that he brushed away
from his lips like a Frenchman. By profession he was an artist,
devoting himself more especially to the designing of stained windows.
In this, his talent was indisputable. But he was by no means dependent
upon his profession for a living, his parents--long since dead--having
left him to the enjoyment of a very considerable fortune. He had a
beautiful studio in the Fine Arts Building, where he held receptions
once every two months, or whenever he had a fine piece of glass to
expose. He had travelled, read, studied, occasionally written, and in
matters pertaining to the colouring and fusing of glass was cited as an
authority. He was one of the directors of the new Art Gallery that had
taken the place of the old Exposition Building on the Lake Front.
Laura had known him for some little time. On the occasion of her two
previous visits to Page he had found means to see her two or three
times each week. Once, even, he had asked her to marry him, but she,
deep in her studies at the time, consumed with vague ambitions to be a
great actress of Shakespearian roles, had told him she could care for
nothing but her art. He had smiled and said that he could wait, and,
strangely enough, their relations had resumed again upon the former
footing. Even after she had gone away they had corresponded regularly,
and he had made and sent her a tiny window--a veritable
jewel--illustrative of a scene from "Twelfth Night."
Public-domain text, read in full here on John Shaqi.
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