Chicago (Ill.) -- Fiction; Didactic fiction; Domestic fiction; Married people -- Fiction; Psychological fiction; Wheat trade -- Fiction
In the foyer, as the gentlemen were checking their coats, Laura
overheard Jadwin say to Mr. Cressler:
"Well, how about Helmick?"
The other made an impatient movement of his shoulders.
"Ask me, what was the fool thinking of--a corner! Pshaw!"
There were one or two other men about, making their overcoats and opera
hats into neat bundles preparatory to checking them; and instantly
there was a flash of a half-dozen eyes in the direction of the two men.
Evidently the collapse of the Helmick deal was in the air. All the city
seemed interested.
But from behind the heavy curtains that draped the entrance to the
theatre proper, came a muffled burst of music, followed by a long salvo
of applause. Laura's cheeks flamed with impatience, she hurried after
Mrs. Cressler; Corthell drew the curtains for her to pass, and she
entered.
Inside it was dark, and a prolonged puff of hot air, thick with the
mingled odours of flowers, perfume, upholstery, and gas, enveloped her
upon the instant. It was the unmistakable, unforgettable, entrancing
aroma of the theatre, that she had known only too seldom, but that in a
second set her heart galloping.
Every available space seemed to be occupied. Men, even women, were
standing up, compacted into a suffocating pressure, and for the moment
everybody was applauding vigorously. On all sides Laura heard:
"Bravo!"
"Good, good!"
"Very well done!"
"Encore! Encore!"
Between the peoples' heads and below the low dip of the overhanging
balcony--a brilliant glare in the surrounding darkness--she caught a
glimpse of the stage. It was set for a garden; at the back and in the
distance a chateau; on the left a bower, and on the right a pavilion.
Before the footlights, a famous contralto, dressed as a boy, was bowing
to the audience, her arms full of flowers.
"Too bad," whispered Corthell to Laura, as they followed the others
down the side-aisle to the box. "Too bad, this is the second act
already; you've missed the whole first act--and this song. She'll sing
it over again, though, just for you, if I have to lead the applause
myself. I particularly wanted you to hear that."
Once in the box, the party found itself a little crowded, and Jadwin
and Cressler were obliged to stand, in order to see the stage. Although
they all spoke in whispers, their arrival was the signal for certain
murmurs of "Sh! Sh!" Mrs. Cressler made Laura occupy the front seat.
Jadwin took her cloak from her, and she settled herself in her chair
and looked about her. She could see but little of the house or
audience. All the lights were lowered; only through the gloom the
swaying of a multitude of fans, pale coloured, like night-moths
balancing in the twilight, defined itself.
But soon she turned towards the stage. The applause died away, and the
contralto once more sang the aria. The melody was simple, the tempo
easily followed; it was not a very high order of music. But to Laura it
was nothing short of a revelation.
Public-domain text, read in full here on John Shaqi.
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