We can now scarcely understand the high favour in which Rosemary was formerly held; we are accustomed to see it neglected, or only tolerated in some corner of the kitchen garden, and not often tolerated there. But it was very different in Shakespeare's time, when it was in high favour for its evergreen leaves and fine aromatic scent, remaining a long time after picking, so long, indeed, that both leaves and scent were almost considered everlasting. This was its great charm, and so Spenser spoke of it as "the cheerful Rosemarie" and "refreshing Rosemarine," and good Sir Thomas More had a great affection for it. "As for Rosemarine," he said, "I lett it run alle over my garden walls, not onlie because my bees love it, but because tis the herb sacred to remembrance, and therefore to friendship; whence a sprig of it hath a dumb language that maketh it the chosen emblem at our funeral wakes and in our buriall grounds." And Parkinson gives a similar account of its popularity as a garden plant: "Being in every woman's garden, it were sufficient but to name it as an ornament among other sweet herbs and flowers in our gardens. In this our land, where it hath been planted in noblemen's and great men's gardens against brick walls, and there continued long, it riseth up in time unto a very great height, with a great and woody stem of that compasse that, being cloven out into boards, it hath served to make lutes or such like instruments, and here with us carpenters' rules and to divers others purposes." It was the favourite evergreen wherever the occasion required an emblem of constancy and perpetual remembrance, such especially as weddings and funerals, at both of which it was largely used; and so says Herrick of "The Rosemarie Branch"-- "Grow for two ends, it matters not at all, Be't for my bridall or my buriall." Its use at funerals was very widespread, for Laurembergius records a pretty custom in use in his day, 1631, at Frankfort: "Is mos apud nos retinetur, dum cupresso humile, vel rore marino, non solum coronamus funera jamjam ducenda, sed et iis appendimus ex iisdem herbis litteras collectas, significatrices nominis ejus quæ defuncta est. Nam in puellarum funeribus hæc fere fieri solent" ("Horticulturæ," cap. vj.). Its use at weddings is pleasantly told in the old ballad of "The Bride's Good-morrow"-- "The house is drest and garnisht for your sake With flowers gallant and green; A solemn feast your comely cooks do ready make, Where all your friends will be seen: Young men and maids do ready stand With sweet Rosemary in their hand-- A perfect token of your virgin's life. To wait upon you they intend Unto the church to make an end: And God make thee a joyfull wedded wife." _Roxburghe Ballads_, vol. i.