The Plays of W. E. Henley and R. L. Stevenson — John Shaqi
The Plays of W. E. Henley and R. L. StevensonStevenson, Robert Louis
General
The Plays of W. E. Henley and R. L. Stevenson
Stevenson, Robert Louis
Drama
BRODIE _enters by the window with assurance and ease_, _closes it
silently_, _and proceeds to traverse the room_. _As he moves_, LESLIE
_leaps upon and grapples him_.
LESLIE. Take off that mask!
BRODIE. Hands off!
LESLIE. Take off the mask!
BRODIE. Leave go, by God, leave go!
LESLIE. Take it off!
BRODIE (_overpowered_). Leslie . . .
LESLIE. Ah! you know me! (_Succeeds in tearing off the mask_.) Brodie!
BRODIE (_in the moonlight_). Brodie.
LESLIE. You . . . you, Brodie, you?
BRODIE. Brodie, sir, Brodie as you see.
LESLIE. What does it mean? What does it mean, my God? Were you here
before? Is this the second time? Are you a thief, man? are you a thief?
Speak, speak, or I’ll kill you.
BRODIE. I am a thief.
LESLIE. And my friend, my own friend, and . . . Mary, Mary! . . .
Deacon, Deacon, for God’s sake, no!
BRODIE. God help me!
LESLIE. ‘We Brodies! We Brodies!’
BRODIE. Leslie—
LESLIE. Stand off! Don’t touch me! You’re a thief!
BRODIE. Leslie, Leslie
LESLIE. A thief’s sister! Why are you here? why are you here? Tell me!
Why do you not speak? Man, I know you of old. Are you Brodie, and have
nothing to say?
BRODIE. To say? Not much—God help me—and commonplace, commonplace like
sin. I was honest once; I made a false step; I couldn’t retrace it; and
. . . that is all.
LESLIE. You have forgot the bad companions!
BRODIE. I did forget them. They were there.
LESLIE. Commonplace! Commonplace! Do you speak to me, do you reason
with me, do you make excuses? You—a man found out, shamed, a liar, a
thief—a man that’s killed me, killed this heart in my body; and you
speak! What am I to do? I hold your life in my hand; have you thought
of that? What am I to do?
BRODIE. Do what you please; you have me trapped.
(JEAN WATT _is heard singing without two bars of_ ‘_Wanderin’ Willie_,’
_by way of signal_.)
LESLIE. What is that?
BRODIE. A signal.
LESLIE. What does it mean?
BRODIE. Danger to me; there is someone coming.
LESLIE. Danger to you?
BRODIE. Some one is coming. What are you going to do with me? (_A
knock at the door_.)
LESLIE (_after a pause_). Sit down. (_Knocking_.)
BRODIE. What are you going to do with me?
LESLIE. Sit down. (BRODIE _sits in darkest part of stage_. LESLIE
_opens door_, _and admits_ LAWSON. _Door open till end of Act_.)
SCENE V
BRODIE, LAWSON, LESLIE
LAWSON. This is an unco’ time to come to your door; but eh, laddie, I
couldna bear to think o’ ye sittin’ your lane in the dark.
LESLIE. It was very good of you.
LAWSON. I’m no very fond of playing hidee in the dark mysel’; and noo
that I’m here—
LESLIE. I will give you a light. (_He lights the candles_. _Lights
up_.)
LAWSON. God A’michty! William Brodie!
LESLIE. Yes, Brodie was good enough to watch with me.
LAWSON. But he gaed awa’ . . . I dinna see . . . an’ Lord be guid to us,
the window’s open!
LESLIE. A trap we laid for them: a device of Brodie’s.
Public-domain text, read in full here on John Shaqi.
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