The Plays of W. E. Henley and R. L. StevensonStevenson, Robert Louis
General
The Plays of W. E. Henley and R. L. Stevenson
Stevenson, Robert Louis
Drama
BRODIE (_to_ LAWSON). Set a thief to catch a thief. (_Passing to_
LESLIE, _aside_.) Walter Leslie, God will reward. (JEAN _signals
again_.)
LAWSON. I dinna like that singin’ at siccan a time o’ the nicht.
BRODIE. I must go.
LAWSON. Not one foot o’ ye. I’m ower glad to find ye in guid hands.
Ay, ye dinna ken how glad.
BRODIE (_aside to_ LESLIE). Get me out of this. There’s a man there
will stick at nothing.
LESLIE. Mr. Lawson, Brodie has done his shift. Why should we keep him?
(JEAN _appears at the door_, _and signs to_ BRODIE.)
LAWSON. Hoots! this is my trade. That’s a bit o’ ‘Wanderin’ Willie.’
I’ve had it before me in precognitions; that same stave has been used for
a signal by some o’ the very warst o’ them.
BRODIE (_aside to_ LESLIE). Get me out of this. I’ll never forget
to-night. (JEAN _at door again_.)
LESLIE. Well, good-night, Brodie. When shall we meet again?
LAWSON. Not one foot o’ him. (JEAN _at door_.) I tell you, Mr. Leslie—
SCENE VI
_To these_, JEAN
JEAN (_from she door_). Wullie, Wullie!
LAWSON. Guid guide us, Mrs. Watt! A dacent wumman like yoursel’!
Whatten a time o’ nicht is this to come to folks’ doors?
JEAN (_to_ BRODIE). Hawks, Wullie, hawks!
BRODIE. I suppose you know what you’ve done, Jean?
JEAN. I _had_ to come, Wullie, he wadna wait another minit. He wad have
come himsel’.
BRODIE. This is my mistress.
LAWSON. William, dinna tell me nae mair.
BRODIE. I have told you so much. You may as well know all. That good
man knows it already. Have you issued a warrant for me . . . yet?
LAWSON. No, no, man: not another word.
BRODIE, (_pointing to the window_). That is my work. I am the man.
Have you drawn the warrant?
LAWSON (_breaking down_). Your father’s son!
LESLIE (_to_ LAWSON). My good friend! Brodie, you might have spared the
old man this.
BRODIE. I might have spared him years ago; and you and my sister, and
myself. I might . . . would God I had! (_Weeping himself_.) Don’t
weep, my good old friend; I was lost long since; don’t think of me; don’t
pity me; don’t shame me with your pity! I began this when I was a boy.
I bound the millstone round my neck; [it is irrevocable now,] and you
must all suffer . . . all suffer for me! . . . [for this suffering
remnant of what was once a man]. O God, that I can have fallen to stand
here as I do now. My friend lying to save me from the gallows; my second
father weeping tears of blood for my disgrace! And all for what? By
what? Because I had an open hand, because I was a selfish dog, because I
loved this woman.
JEAN. O Wullie, and she lo’ed ye weel! But come near me nae mair, come
near me nae mair, my man; keep wi’ your ain folks . . . your ain dacent
folks.
LAWSON. Mistress Watt, ye shall sit rent free as lang’s there’s breath
in William Lawson’s body.
LESLIE. You can do one thing still . . . for Mary’s sake. You can save
yourself; you must fly.
Public-domain text, read in full here on John Shaqi.
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