Art objects -- Collectors and collecting; Collectors and collecting
While all the facts concerning the marking of old pewter should be
diligently studied by the collector, as he gathers them from this source
and from that, and will prove of great help, be of interest, and lend
zest to collecting, one must not forget that much imitation old pewter
has been fabricated with intent to defraud. However, such “fakes” (many
of them are very attractive!) usually unblushingly bear upon them the
ear-marks of their spurious nature, and the collector soon comes to have
command of the knowledge necessary to detect such reproductions.
The material of old pewter is variously compounded. Old fine pewter
consisted of 112 pounds of tin to 26 pounds of copper, or--in place of
the cooper--of brass. Again, a fine, hard resonant metal was made of 100
parts of tin to 17 of antimony. Distinguished from the fine pewter was
common pewter--or “trifle” pewter, as it was called. This was made of 83
parts of tin to 17 parts of antimony, or, with slight variations, of 82
parts of tin to 18 parts of antimony. These various alloys are
susceptible of a high polish and of retaining it well in ordinary
circumstances some time. This pewter, too, has a good measure of
hardness and possesses durability.
Britannia metal must not be confused, as often it is, with the real
pewter. It was a late eighteenth-century invention of tin, antimony,
copper, and zinc, which lent itself to fashioning on the lathe (a
process called “spinning”), having in this respect a decided advantage
over the less easily worked pewter. Naturally it did not take long for
the new Britannia metal to supersede pewter when it was discovered that
Britannia metal could be electroplated.
However, the general use to which pottery and porcelain, tinware and
enamel attained had come to have much, too, to do with banishing pewter
from general use, though it remained longer in favor in Scotland than in
England. “A whole garnish of peutre,” such as a lady of 1487 bequeathed
to one of her heirs, no longer came to be deemed fashionable. The master
pewterers suffered and, as time went on, found themselves forced out of
their trade.
Public-domain text, read in full here on John Shaqi.
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