Art objects -- Collectors and collecting; Collectors and collecting
With the waning of the popularity of pewter, vast quantities of it were
melted up for solder and for other purposes, which accounts for the
scarcity of really fine old pieces. Indeed, such articles as pewter
spoons are exceptionally rare; not, as some suppose, because they were
so small, but because they were especially serviceable to the traveling
tinkers, who could convert them into solder. The English pewter spoon
was seldom a small affair, if it ever descended in scale to the size of
a dessert spoon. In passing it is well to call the collector’s attention
to the fact that pewter spoons are imitated and often placed before
buyers as antiques. One needs especially to familiarize himself with the
shapes of the bowls and of the handles of the English ones, and with
other _minutiæ_, in order to determine intelligently the authenticity of
a piece of pewter of this sort. Other objects are much more common, and
ten genuine English pewter spoons would form a goodly collection,
considering their exceptional rarity.
The London pewterers guarded their trade secrets jealously. They
permitted no outsiders to loiter and watch them at work. As the various
molds for pewter objects were made at great expense, it was the custom
for the guilds of the Pewterers’ Company to own these and to let them
out. This accounts for the various standard shapes of articles, made by
quite different pewterers. Lists of such molds, dating as far back as
1425, have survived the vicissitudes of time and throw much interesting
light on the subject. Let the pewter-collector remember that pewter
objects appear to have come into vogue as a substitute for silver, and
that pieces of old pewter usually follow in form the shapes of the
contemporary silver objects of like use. Indeed, a study of old English
silver will prove of great help to the pewter-collector in solving
problems of chronology. One may not attempt to collect a whole garnish
of pewter of a single period--a complete garnish consisting of twelve
platters, twelve dishes, and twelve saucers--but it is quite possible,
without an appalling outlay. On the other hand, unless it is a “find,”
one may have to pay forty or fifty dollars for a fine and authentic
early English pewter spoon.
Whatever one collects in the way of old pewter of any period and of any
country, it should be displayed by itself and not mixed with silver,
glass, and other objects. As to what dealers sometimes call “silver
pewter,” let not the unwary collector suppose that it is more than
pewter of a fine quality (if the object proves to be that!). Silver
cannot enter into the composition of true pewter, as it takes 950° C. to
melt it, while the tin, melting at 230° C., would volatilize too greatly
to combine with the precious metal before the silver even reached the
melting-point. Perhaps because the finest pewter takes a silver-like
polish it was originally called “silver pewter,” without intent to
mislead.
Public-domain text, read in full here on John Shaqi.
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