The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
But it is for qualities more sterling than those of a vocal nature
that the confrère of the cook deserves recognition. He has his
trifling faults, to be sure--who is without them? He is obstinate
in being driven to market, perhaps, knowing the fate which awaits
him, and possibly his assurance may be somewhat obnoxious at public
gatherings. It is admitted also that his _savoir faire_ at table,
while distinguished for _aplomb_, is not entirely without alloy. But
although the ill-mannered among his tribe occasionally thrust their
feet not under but upon the mahogany, and are sometimes guilty of
elbowing one another at mealtime, yet it must be conceded that they are
never late at their engagements to dine; neither do they ever commit
that unpardonable breach of etiquette--eating with a knife. It is a
_belle fourchette_ rather than a fine blade they ply.
The late Horace Greeley, to repeat a well-known story, tells of a
farmer who drove a herd of Yorkshires to market,--
"When meads with slime were sprent, and ways with mire,"--
the march proving so fatiguing to his charges that they shrank in flesh
and had to be disposed of at a sacrifice on finally arriving at their
destination. When asked on his return how much he had realised from
the transaction, he replied he had made nothing out of his charges
themselves--"_he had had the pleasure of their company, though_."
This point, through a singular oversight,--the idea is the same and
equally charming everywhere,--Leigh Hunt has not touched upon in his
essay "On the Graces and Anxieties of Pig-Driving." It may be of
interest to those whose manuscripts have been rejected to know that
Hunt's exquisite conceit was refused by the magazine to which it was
addressed, but fortunately it was not on this account consigned to the
waste-basket, but lives and is embalmed with Lamb's dissertation.
"I could never understand to this day," writes Hunt in his
autobiography, "what it is that made the editor of a magazine reject
an article which I wrote, with the mock-heroic title of 'The Graces
and Anxieties of Pig-Driving.' I used to think he found something
vulgar in the title. He declared it was not he who rejected it, but the
proprietor of the magazine. The proprietor, on the other hand, declared
that it was not he who rejected it, but the editor. I published it in a
magazine of my own, 'The Companion,' and found it hailed as one of my
best pieces of writing."
This reference of Hunt's recalls a piquant _épigramme_ of lamb that
is not down in the cook-books. It was when the writer was taking his
departure from an old Paris bookstall, a number of years ago, that, as
he turned to leave, the proprietor remarked:
"Monsieur perhaps might like to glance at an English work, '_sur
l'Agneau_,' which came in with some other volumes recently."
Public-domain text, read in full here on John Shaqi.
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