The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
Every gastronomer will endorse the sentiment that in proportion to
the smallness of a dinner ought to be its excellence, both as to the
quality of materials and the cooking. Nor is there less truth in
the complaint that it is an existing evil that everybody is prone to
strive after the same dull style--the rule generally followed being
to consider what the guests are accustomed to; whereas it should be
reversed, and what they are not accustomed to should rather be set
before them. This stricture he applies to the serving of wines as well
as of viands--"we go on in the beaten track without profiting by the
varieties which are to be found on every side." To order dinner well he
defines as a matter of invention and combination, involving novelty,
simplicity, and taste; whereas in the generality of dinners there is no
character but that of dull routine, according to the season. Too little
attention, he complains, is paid to the mode of dining according to the
time of the year, summer dinners being for the most part as heavy and
as hot as those in winter, with the consequence of being frequently
very oppressive, both in themselves and from their effect on the room.
In hot weather the chief thing to be aimed at is to produce a light
and cool feeling, both by the management of the room and the nature
of the repast; in winter, warmth and substantial diet afford the most
satisfaction.
It may be held with reason that some of the inconveniences pointed
out with reference to service could be obviated by the service _à la
Russe_--discarding its medley of dishes on the table, and utilising its
features of carving and serving. But Walker's great aim was that of a
simple style of dinner-giving to a select few whose number he would
limit to eight. Under these circumstances it is easy to understand how
it were more appetising to dispense with any dishes in waiting which
serve to cloy rather than to stimulate appetite, and more advantageous
to have the carving performed by the master himself. At a men's dinner,
more especially, where a saddle of mutton, a haunch of venison, or
other roast forms the _pièce de résistance_, and where, therefore, "cut
and come again" is the motto of the hour, the less formal style is
certainly preferable, and productive of the best results to the guests.
It is only on one occasion that we find him wavering in the dogmas
he advances so emphatically and withal so aptly, this incertitude
occurring in connection with a dinner he had ordered at Blackwall,
the menu of which may be appropriately transcribed as a practical
illustration of his ideas on gastronomy:
Public-domain text, read in full here on John Shaqi.
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