The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
At this period there appeared, among innumerable cook-books, a work of
four volumes entitled, "Suppers of the Court," a treatise which has
been pronounced one of the best and most complete of its kind.[11]
To Louis XV belongs the invention of _tables volantes_, or, to speak
more truly, the revival of tables à la Trimalchio--like those devised
during the times of the old Romans--which descended after each course
through the floor, to appear reladen with new surprises. It was to
this monarch, who insisted that women could not rise to the sublime
heights of the cuisine, that Madame du Barry gave the successful supper
from which, it was said, originated the order of the _cordon bleu_ for
accomplished artisans of her sex. This was the menu, as elaborated
by the best cuisinière that the reigning favourite could procure:
_Coulis de faisan_, _petites croustades de foie de lottes_, _salmis de
bécassines_, _pain de volaille à la suprème_, _poularde au cresson_,
_écrevisses au vin de sauterne_, _biscuits de pêches au noyau_, _crême
de cerneaux_, and _fraises au marasquin_. Lady Morgan asserts, however,
that this title was first given to Marie, a celebrated cuisinière
of the tax-gatherer who built the palace of l'Elysée Bourbon. Still
another explanation of the term is that it originated with Madame de
Maintenon, who established a school at St. Cyr for the education of
the orphan daughters of ennobled officers. The pupils were carefully
instructed in the culinary art, and to those who excelled a blue ribbon
was presented as a badge of reward.
Again, if we accept a reference of Albert Glatigny in one of his two
airy poems on old Versailles, the term would appear to concern the
Marquise de Montespan, who, as has already been stated, was a cook of
no little merit:
"Parfois le soir, au bras d'un militaire
Vêtu d'azur, arrogant comme un paon,
Un cordon-bleu passait avec mystère,
Et l'on disait, 'Louis et Montespan!'"
(Sometimes at eve, on arm of cavalier
Bedight in blue, like some proud peacock's van,
A cordon-bleu pass'd by with mystic air,
The while one said, "Louis and Montespan!")
In order to captivate the affections of her royal master more readily,
the Duchesse de Châteauroux secured the most versatile kitchener who
was to be found; and the wily and beautiful Marquise de Pompadour,
thinking that the surest way to a man's heart is through his stomach,
created _filets de volaille à la bellevue_, _palais de bœuf à la
Pompadour_, and _tendrons d'aigneau à la soleil_. But the Louis were
proverbially fickle--there were fillettes as well as filets; and while
these culinary novelties appealed to the jaded royal palate for the
time, they failed to retain the royal affections or wrest the monarch
from his life of dissipation.
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