The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
Promenade du Gourmand 315
Frontispiece of "Le Manuel du Gastronome ou Nouvel Almanach
des Gourmands" (1830)
La Table 331
Frontispiece of the Second Canto of "La Conversation" of the
Abbé Délille, 1822
A Supper in the Eighteenth Century 344
From the engraving after Masquelier
The Spanish Pointer 354
From the engraving by Woollett, after the painting by
Stubbs, 1768
Partridge Shooting. I. La Chasse aux Perdrix 364
From the coloured print after Howitt, 1807
Partridge Shooting--September 375
From the coloured engraving by Reeve, after the painting
by R. B. Davis, 1836
Truffle-hunting in the Dauphiné 383
From the Salon picture after Paul Vayson
"Nouvel Manuel Complet du Cuisinier et de la
Cuisinière" 397
Facsimile of frontispiece, 1822
The Wounded Snipe 409
From the engraving after A. Cooper, R.A.
"Après Bon Vin" 428
From the engraving by Eisen in the Fermiers-Généreaux edition
of the "Contes et Nouvelles" (1762)
Le Pâtissier Français 442
Facsimile of title-page of the edition of 1655
[Illustration: LE CUISINIER
After the engraving by Mariette]
THE PLEASURES OF THE TABLE
[Illustration]
COOKERY AMONG THE ANCIENTS
"L'art qui contient toutes les élégances, toutes les
courtoisies, sans lesquelles toutes les autres sont inutiles
et perdus; l'art hospitalier par excellence qui emploie avec
un égal succès tous les produits les plus excellents de l'air,
des eaux, de la terre."--FAYOT.
Cookery is naturally the most ancient of the arts, as of all arts it
is the most important. Whether one should live to eat, is a question
concerning which the epicure and the ascetic will hold widely varying
opinions; but that one must eat to live, will scarcely admit of
controversy. The man who is wise in his generation will be inclined
to choose a happy medium. Or perchance the French axiom that we only
eat to live when we do not understand how to live to eat, may somewhat
simplify the matter. As it is largely through food and drink that man
derives his highest mental efficiency and physical well-being, as
equally through improper diet accrue countless bodily disorders, it
would appear that the proper choice and preparation of aliments and the
selection of beverages should receive the profound consideration of
every one.
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