Produced by Al Haines
THE PLUNDERER
BY
HENRY OYEN
AUTHOR OF
BIG FLAT, GASTON OLAF, THE SNOW BURNER, ETC.
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
COPYRIGHT, 1920,
BY GEORGE H. DORAN COMPANY
COPYRIGHT, 1919, BY THE CURTIS PUBLISHING COMPANY
THE PLUNDERER
I
Roger Payne had come to a decision. He waited until the office door
had closed behind the departing stenographer, then swung his long legs
recklessly upon his flat-top desk and shouted across the room at his
partner:
"Jim Tibbetts!"
Tibbetts frowned. He was footing a column of cost figures and the
blast from his young partner nearly made him lose count.
Payne grinned. He liked his partner. Had he not done so he would
never have allowed himself to be dragged into business--Tibbetts &
Payne, Manufacturers' Agents. Two years of it. Two years from the day
on a Western irrigation dam when Payne had installed the cement machine
that Tibbetts was selling. Two years--to Payne--of prison. And now
his moment of decision had arrived.
Roger Payne was out of place. He did not fit the furniture. There was
a look of permanence to the dark tan upon his face which labeled it not
the surface sunburn which may be collected during a two weeks' vacation
or gradually acquired by spending Saturday afternoon and Sunday on the
golf links. It was a tan that suggested leather, and which comes as
much from frostbite as sunburn, and from the whip of frozen snowflakes
as the heated winds of summer.
Beneath the tan the face was too lean and hard to be in sympathy with
the high polish of flat-top desks.
His body also was lean and hard. Even the proper cut of a carefully
tailored business suit could not conceal a certain bunchiness about the
shoulders which had nothing at all in common with office efficiency.
The shoulders were outrageously broad, the barrel of his chest was
scandalously deep, the hands distressingly large and brown, considered
in intimate association with filing systems and adding machines. And
the keen blue eyes, sometimes gazing with a far-away, unbusiness-like
look out into the grimy, roaring canon called Wabash Avenue, sometimes
twinkling with unbusinesslike mischief, inevitably completed the
exposure of Roger Payne.
He did not belong there, and he knew it. Hence it was that he suddenly
jerked his long legs from the desk, sat up and said swiftly:
"Jim Tibbetts, I want you to buy me out!"
Tibbetts blinked. He was bald, plump, spectacled and kindly.
"Eh? What say? Dang it, Rog, you made me lose count!"
He began all over to foot the column of cost figures. He footed from
bottom to top, checked the result by footing from top to bottom, erased
his light penciled figures and rewrote them in ink, laid the sheet to
one side and folded his hands in resignation.
"I knew it was coming, Rog. I've seen the signs for weeks past.
You've been ramping round like a man in prison. Dang it, Rog, I'm
sorry."
Public-domain text, read in full here on John Shaqi.
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