A sharp pointed nose is characteristic of a passionate man. (See _pl. XXII_.) OF THE MOUTH. The mouth is the most expressive feature of the face; it is peculiarly the index to the discovery of character, and almost always represents the nature and disposition of the man; so delicate are the shades and varieties of which it is susceptible, that it would be impossible to describe them with perfect precision. If the lips are thick and fleshy, this is a sign of sensuality and of slothfulness; it is always a characteristic of a phlegmatic temper. (See _pl. XIII_.) A mouth frequently shut, lips closed, and strongly marked, appertain to the avaricious. (See _pl. XIX_.) When the lower lip projects beyond the upper, it denotes negative goodness. (See _pl. XIV_.) A closed mouth, concealing the edge of the lips, betokens a person of application, and inclined to regularity and neatness. But if, at the same time, it turns up at the extremities, then it expresses affectation, arrogance, vanity, and malignity. A large interval between the mouth and nose indicates want of prudence. Full, distinct, and well-proportioned lips, designate a character hostile to falsehood, villany, and baseness, but with a propensity to pleasure. OF THE CHIN. An advancing, projecting chin is always a declaration of energy. (See _pl. XX_.) When pointed, it often denotes craft. (See _pl. I_.) Should it, on the other hand, recede, it then indicates a character destitute of firmness. When it is angular, it betokens a sensible mind, and a benevolent heart. A flat chin announces coolness of temper. (See _pl. XXVII_.) A smooth, fleshy, double chin, is indicative of sensuality. A small chin is characteristic of timidity. A round, dimpled chin, is a sign of good nature. OF THE CHEEKS. Fleshy cheeks denote a proneness to sensuality. Should we discover in them a certain triangular hollow, it is an infallible sign of envy and jealousy. Large and coarse furrows bear the impression of ill nature and brutality. OF THE HAIR. Short, black, coarse, curly hair, evinces a character somewhat irritable, and often shows it to be devoid of sensibility. But light, soft hair, is evidence of a contrary disposition, and almost always denotes gentleness. A striking contrast between the colour of a man’s hair and his eyebrows should excite suspicion. OF THE NECK. A long neck is declaratory of gentleness. When short and thick, especially if the veins should be very conspicuous, it is an indication of a passionate man. (See _pl. XXII_.) * * * * * We will now conclude our discussion of the peculiar expression of the several features, and proceed to connect precept and example, by exhibiting a variety of physiognomies, and pointing out the different expressions of character which they display. [Illustration: 1] PHYSIOGNOMIES. No. I.