The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomy — John Shaqi
The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomyPorta, Giambattista della
Philosophy
The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomy
Porta, Giambattista della
Physiognomy
When the forehead is rounded and projecting, as is the case with the
generality of infants, it evinces a weak mind; if it project very much,
then it betrays the utmost degree of stupidity.
If it is rounding toward the summit, with a slight projection, and then
descending in a straight line, it shows great judgment, an irritable
disposition, but a heart of ice; a forehead of this description is
frequently characteristic of melancholy.
A narrow forehead is usually the sign of a froward disposition.
If it incline backward, we may then anticipate rashness and want of
reflection, especially if there be no very remarkable jutting of the
bones of the eyes. (See _pl. XXV_.)
A high forehead is a mark of capriciousness.
Should the bone of the eye be projecting and plainly marked, this
designates aptness for mental exertion.
OF THE EYEBROWS.
Small eyebrows always accompany a phlegmatic temperament. (See _pl.
XIII_.)
If horizontal, they betoken a masculine and vigorous character. (See
_pl. VII_.)
When they are partly horizontal, and partly curved, they denote energy
and ingenuity.
If situated very high, they almost always evince a person incapable of
reflection.
A wide space between the two eyebrows, designates a quick apprehension,
a calm and tranquil soul.
The nearer they approach the eyes, the stronger is the assurance they
give of solidity and reflection.
Angular, discontinuous eyebrows, mark an inventive genius.
When uneven and disordered, they are proofs of great vivacity.
Full, compact, well-disposed, and symmetrical eyebrows, are almost
always indicative of solidity of judgment, and of clear sound sense.
OF THE EYES.
It is peculiarly the province of the eyes to declare the emotions of the
soul, and to exhibit the workings of sentiment and passion.
Blue eyes are frequently found in persons of phlegmatic character; they
are often indications of feebleness and effeminacy.
Black eyes portend energy.
If gray, they often mark a choleric disposition; in such case, the lids
are red, drawn back, and sunken. (See _pl. XXII_.)
Hazel, or brown eyes, indicate vivacity and affability.
When the extremity near the nose is acute, it denotes cunning and
finesse.
If the upper eyelid cross diametrically the ball of the eye, it is a
sign of subtlety and cunning.
OF THE NOSE.
The nose is not a feature capable of conveying much expression; yet its
form and relative position, in respect of other parts of the face,
furnish some characteristics.
An aquiline nose designates an imperious temper, and ardent passions.
(See _pl. XXV_.)
A nose, the ridge of which is large, denotes a mind endowed with
qualities of a high order. (See _pl. VII_.)
When the sides of the nose are flexible, and perfectly disconnected, it
betrays a proneness to sensuality.
A nose curved at the root, announces a personage born to command, firm
in his purposes, and ardent in the pursuit. (See _pl. XI_.)
Small nostrils disclose timidity of soul.
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