French fiction -- 20th century -- Translations into English
COMEDY OF MANNERS--Isabelle Lefaucheux promises her husband that she
will be faithful to him. Then she remembers that she has promised the
same thing to Jules, the boy who works in their store. She suffers from
not being able to grant her faith and her love.
However, Lefaucheux fires Jules. This event precipitates a dramatic
triumph of love, and we soon find Isabelle cashier in a department store
where Jules is salesman. Title: _Isabelle Lefaucheux._
HISTORICAL PLAY--The famous novelist Stendhal is the ringleader of a
Bonapartist plot which ends in the heroic death of a young singer during
a presentation of _Don Juan_ at the Scala Theatre in Milan. Since
Stendhal had hidden his identity under a pseudonym, he withdraws from
the affair admirably. Grand marches, procession of historical
personages.
OPERA--Buridan's ass hesitates to satisfy his hunger and his thirst. The
she-ass of Balaam prophesies that the ass will die. The golden ass
comes, eats and drinks. The Wild-Ass's-Skin comes and displays his
nudity to this asinine herd. Passing by, Sancho's ass thinks that he can
prove his robustness by carrying off the child, but the traitor, Melo,
warns the Genius of la Fontaine. He proclaims his jealousy and beats the
golden ass. Metamorphoses. The Prince and the Infant make their entrance
on horseback. The King abdicates in their favor.
PATRIOTIC PLAY--The Swedish government lays suit against the French
Government for manufacturing an imitation of "Swedish matches." In the
last act they exhume the remains of an alchemist of the XIVth Century
who invented these matches, at La Ferté-Gaucher, a village in France,
not far from Paris.
COMEDY----
_The handsome chauffeur
Cried to his neighbor
If you will show me your salon
I wilt show you my kitchen._
Here is enough to nourish a whole career of playwriting, sir.
M. LACOUFF, SCHOLAR
Young man, it is also important to know theatrical anecdotes; they help
to fill out the conversation of a young dramatic author; here are a few:
Frederick the Great was accustomed to having his court actresses whipped
before each presentation. He believed that flagellation communicated a
rosy tint to their skin which was not without its charm.
At the court of the Grand Turk, the _Bourgeois Gentilhomme_ was being
played, but in order to adapt it to the taste of the environment the
_mamamouchi_ became a Knight of the Garter.[9]
Cecile Vestris, while returning to Mayence, one day, had her carriage
held up by the famous Rhenish bandit Schinderhans. She rallied her
spirits against this ill-fortune and danced for Schinderhans in the hall
of a roadside tavern.
Ibsen was sleeping one time with a young Spanish lady who cried out at
the proper moment:
"Now!... now!... Mr. Dramatist!"
Public-domain text, read in full here on John Shaqi.
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