French fiction -- 20th century -- Translations into English
In the streets, at every step, old women standing like pines in a
forest, called them, making signals.
"Let us flee from this stench," said the fat monk, who was a Czech and
who was called Father Karel by his companions.
Croniamantal and the monks stopped at last before a great convent door.
At the sound of the bell the porter came to let them in. The two thin
monks said good-bye to Croniamantal, who remained alone with Father
Karel in a parlor that was richly furnished.
"My child," said Father Karel, "you are in a unique convent. The monks
who inhabit it are all very proper people. We have old archdukes, and
even former architects, soldiers, scientists, poets, inventors, a few
monks expelled from France, and some lay guests of good breeding. All of
them are saints. I, myself, such as you see me, with my lorgnon and my
pot-belly, am a saint. I shall show you your room, where you may stay
until nine o'clock; then you will hear the bell ring and I shall come to
look for you."
Father Karel guided Croniamantal through long corridors. Then they went
up a stairway of white marble and on the second floor, Father Karel
opened a door and said:
"Your room."
He showed him the electric button and left.
The room was round, the bed and the chairs were round; on the chimney
piece a skull looked like an old cheese.
Croniamantal stood by the window, under which spread the teeming
darkness of a large monastery garden, from which there seemed to rise
laughter, sighs, cries of joy, as if a thousand couples were embracing
each other. Then a woman's voice in the garden sang a song which
Croniamantal had heard before:
_...Croquemitaine
Wears the rose and the lilac
The King is a-coming
--Hello Germaine
--Croquemitaine
Wilt thou come back again?_
And Croniamantal began to sing the rest:
--_Hello Germaine
I come to love among thine arms._
Then he heard the voice of Tristouse continuing the couplet.
And voices of men here and there, sang airs that were strange or grave,
while the cracked voice of an old man stuttered:
_Vexilla regis prodeunt..._
At this moment Father Karel entered the room, as a bell rang full
force.
"Well, my boy! Listening to the sounds of our fine garden? It is full of
memories, this earthly paradise. Tychobrahé made love there with a
pretty Jewess who said to him all the time: Chazer,--which means pig in
the jargon.[13] I myself, have seen such and such an archduke play with
a pretty boy whose behind was shaped like a heart. Let us come to
dinner."
They arrived in a vast refectory still empty, and the poet examined at
his leisure the frescoes which covered the wall.
One was of Noah, dead-drunk on a couch. His son Cham was uncovering his
nakedness, that is to say the root of a vine naively and prettily
painted whose branches served as a genealogical tree, or something of
the sort, for they had painted the names of all the abbés in red
letters on all the leaves.
Public-domain text, read in full here on John Shaqi.
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