French fiction -- 20th century -- Translations into English
The marriage of Cana showed a Mannekenpis pissing wine into the casks
while the spouse, at least eight months with child, offered her belly to
someone who was writing on it in charcoal: TOKAI.
And then again there was a fresco of the soldiers of Gideon relieving
themselves of the awful colic caused by the water they had drunk.
The long table that covered the middle of the hall was spread with a
rare sumptuousness. The glasses and decanters were of Bohemian
cut-glass, and of the finest red crystal. The superb silver pieces
glittered on the whiteness of the cloth strewn with violets.
The monks arrived one by one, their hoods on their heads, arms folded on
their breasts. On entering they greeted Croniamantal and took their
accustomed places. As they came in, Father Karel informed Croniamantal
of their name and what country they came from. The table was soon filled
and Croniamantal counted fifty-six of them. The Abbé, an Italian with
narrow eyes, said grace and the repast began, but Croniamantal anxiously
awaited the arrival of Tristouse.
A bouillon was served in which there swam little brains of birds and
sweet peas...
* * *
"Our two French guests have just left," said a French monk who had been
the prior of Crepentois. "I could not hold them here: the companion of
my nephew was just singing in the garden in his pretty soprano voice. He
almost fainted at hearing some one in the convent sing the close of the
song. They left just now and took the train, for their automobile was
not ready. We shall send it on to them by rail. They did not impart to
me the destination of their journey, but I think that the pious children
are bound for Marseilles. At least, I think I heard them talk of that
town."
Croniamantal, pale as a sheet, rose, then:
"Excuse me, good fathers," he said, "but it was wrong of me to accept
your hospitality. I must go away, do not ask me the reason. But I shall
keep a fond memory of the simplicity, the gaiety, the liberty that reign
here. All that is dear to me to the highest degree, why, why, alas, can
I not profit of it?"
XVI. PERSECUTION
Public-domain text, read in full here on John Shaqi.
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